VIEW IN MY ROOM
Austria
Painting, Acrylic on Paper
Size: 16.5 W x 23.4 H x 0.2 D in
Artist Recognition
Artist featured in a collection
Specifics about the materials used: I painted this picture on paper using acrylic and egg tempera paint and marble powder with a self-mixed binder. Several sections have heavy impasto. The text on the bow says in English translation: "Why don't you paint in spring, when flowers are cheaper." There is an anecdote behind this painting which would easily explain this text, but I'd rather not tell it, for I wish the viewer to have a chance to guess for themselves what its meaning, in context of what's depicted in the painting, could be. Normally I do not make paintings that have a sort of pun behind them, an explanation which can be verbalised in order to tell what the picture "means". For me, the fundamental power or law of visual art is that it cannot be reduced to an intellectual understanding which could exhaustively express the meaning, value and existence of a visual artwork. If this is not the case, then I desists being art. Or: You paint it because you can't say it. Otherwise there would be no point doing it. Of course, one can analyse a painting or any visual artwork, talk about it, critise it, comment it and so on and so forth. But there must always remain a realm that stays inexpressible. Art, in order to be good, must have, in its core, a self-sufficient quality which language cannot penetrate.
Original Created:2015
Subjects:Family
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:16.5 W x 23.4 H x 0.2 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Austria
Born and raised in Vienna, I was trained at the "Künstlerische Volkshochschule Lazarettgasse" in naturalistic, portrait and figure drawing for several years, and was taught oil as well as watercolour painting techniques. Later, I studied Classical Philology and Philosophy at the University of Vienna. My two great passions are visual art and literature. Having said that, I think it necessary to say that I do not mix up my interests in literature with my painting, but rather let them stand and thrive separately. Yet, although my literary and theoretical training may not have an impact on my visual artworks, it plays a crucial role in my artistic thinking, for it helps me to find a way through the sheer impenetrable jungle of contemporary art theories, concepts and ideas that shape our modern thinking of what "good" art is or ought to be. Even if I use a variety of different media and materials, I have a unique and very deep passion for watercolour. This is the medium I discovered first as a child, this is the medium I learned with how to represent reality. Since then, of course, my style expanded beyond realism. Now and then, however, I return to it. But my love for watercolour is still the same. It is my aspiration to find a completely new form, a new visual language for watercolour, as it were, because, looking at watercolour painting today, I surmise that most of it seems stuck somewhere between a formulaic form of realism and an odd revival of expressionism.
Artist featured by Saatchi Art in a collection
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