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"Hypercommodity" Painting

Amber Gout, Canada

Painting, Acrylic on Plastic

7 W x 5 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This painting was done in layers of acrylic paint on the reverse side of plexiglass. Once each layer dries another is applied, one after another. When completed, the final piece is flipped over and the reverse is the image that is displayed. This piece will be shipped flat and will require a standar...

Year Created:

2018

Subject:
Mediums:

Painting, Acrylic on Plastic

Rarity:

One-of-a-kind Artwork

Size:

7 W x 5 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

Need more information?

Need more information?

Amber Gout (b. 1993 Toronto) My paintings are done on the back side of plexiglass sheets. I put thick layers of acrylic paint onto the surface and then scrape away most of the paint to only leave traces. This leaves a record of my movements and gestures. Once the first layer dries, another and another are applied until patterns and relationships start to emerge between the lines, marks and colours. Since each layer is always being done behind the last (on the reverse side of the plexi), the way that it will interact with the previous layers will always be somewhat of a surprise. In this work, I am most interested in the colour relationships and the patterns of line that emerge through interacting and playing with paint. The works excite me because they have subtle intricacies that could never be planned in advance, but which show clues to my process and actions. It is somewhat controlled but has results that are always unexpected. Some of my influences include: Joan Mitchell, Agnes Martin, Gerhard Richter, Charlene Von Heyl, Kaye Donachie, Cecily Brown, and Julia Dault.

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