VIEW IN MY ROOM
Argentina
Painting, Acrylic on Canvas
Size: 74.8 W x 98.4 H x 1.6 D in
Ships in a Crate
A gigantic canvas conceived from a motif, variations on a form (an inverted droplet, a face without features, nape of a neck, balloon?), which enables Magali Milkis to arrange aligned two-coloured figures in a perfect calculation of combined tones. The sensation of introspection which the work generates in turn allows other different interpretations. The brilliance of the acrylic and the texture of oil appear in silence. The monumental frames follow one another like the folds of a fan whose fretwork is not just perceived pleat by pleat alone in the motif, but together form a concatenation. Here, similarly, the independence of each work seems to be reinforced in the composition of a series. Apart from the obvious similarities between the paintings, it is not however about serial painting. The line which divides figure from background is in all cases plotted freehand, always different. There are no forms, though there are contrasts and transitions. Two coloured surfaces close and distant held together by an outline. The edge extends as a meeting and separation point between the planes, introducing the differentiation. For a moment we can run the risk of freeing the images from the concepts which hold them fast. Enough to accept what the works are, simply because they are there. DEGREE I.U.N.A./ Degree in Visual Arts COURSES / WORKSHOPS > Workshop with Tulio De Sagastizabal. CIA / 2011. > Project School Isidro Miranda / 2011. > Workshop of Sergio Bazán / 2006 – 2012. > Seminar on Argentinian Art History. Instituto Di Tella / 2010. > Seminar on Contemporary Art. Professor Valeria González. Centro Cultural Recoleta / 2008. > Seminar on Analysis of Contemporary Cinema. Professor Adrián Cangi / 2010. > Workshop of Jones - Vicente. Punta del Este / 2004. > Seminar on Art History. Professor Miguel Ángel Battegazzore. Uruguay / 2003. AWARDS > Selection of Artists. Contest: Pintura UADE / 2013. > Selection of Artists. Bienal Pintura Ciudad de Rafaela / 2013. SOLO EXHIBITIONS > SERIE / La Fábrica, San Telmo. Buenos Aires / 2013 > MiTo espacio arte contemporáneo. Manantiales. Uruguay / 2012. > Pictorial installation.Private space. Loft Núñez / 2010. > Casa de la Cultura. Maldonado. Uruguay / 2007. > Jones – Vicente Gallery. Punta del Este. Uruguay / 2006 JOINT EXHIBITIONS > Award Pintura UADE (selected artists)/ 2013. > Bienal Pintura. Ciudad de Rafaela / 2013. > "Los carniceros" / Lorry Barra Foundation. San Isidro, Argentina / 2012. > "Las Octavas" / La Fábrica, San Telmo. Buenos Aires / 2011. > Jardín Luminoso Gallery. Buenos Aires / 2009. > San Rafael Hotel. Punta del Este, Uruguay / 2009. > Expotrastiendas Espacio Emergente. Buenos Aires. Argentina / 2007. > Group Showing / Jones – Vicente Gallery. Punta del Este, Uruguay / 2005 A gigantic canvas conceived from a motif, variations on a form (an inverted droplet, a face without features, nape of a neck, balloon?), which enables Magali Milkis to arrange aligned two-coloured figures in a perfect calculation of combined tones. The sensation of introspection which the work generates in turn allows other different interpretations. The brilliance of the acrylic and the texture of oil appear in silence. The monumental frames follow one another like the folds of a fan whose fretwork is not just perceived pleat by pleat alone in the motif, but together form a concatenation. Here, similarly, the independence of each work seems to be reinforced in the composition of a series. Apart from the obvious similarities between the paintings, it is not however about serial painting. The line which divides figure from background is in all cases plotted freehand, always different. There are no forms, though there are contrasts and transitions. Two coloured surfaces close and distant held together by an outline. The edge extends as a meeting and separation point between the planes, introducing the differentiation. For a moment we can run the risk of freeing the images from the concepts which hold them fast. Enough to accept what the works are, simply because they are there. DEGREE I.U.N.A./ Degree in Visual Arts COURSES / WORKSHOPS > Workshop with Tulio De Sagastizabal. CIA / 2011. > Project School Isidro Miranda / 2011. > Workshop of Sergio Bazán / 2006 – 2012. > Seminar on Argentinian Art History. Instituto Di Tella / 2010. > Seminar on Contemporary Art. Professor Valeria González. Centro Cultural Recoleta / 2008. > Seminar on Analysis of Contemporary Cinema. Professor Adrián Cangi / 2010. > Workshop of Jones - Vicente. Punta del Este / 2004. > Seminar on Art History. Professor Miguel Ángel Battegazzore. Uruguay / 2003. AWARDS > Selection of Artists. Contest: Pintura UADE / 2013. > Selection of Artists. Bienal Pintura Ciudad de Rafaela / 2013. SOLO EXHIBITIONS > SERIE / La Fábrica, San Telmo. Buenos Aires / 2013 > MiTo espacio arte contemporáneo. Manantiales. Uruguay / 2012. > Pictorial installation.Private space. Loft Núñez / 2010. > Casa de la Cultura. Maldonado. Uruguay / 2007. > Jones – Vicente Gallery. Punta del Este. Uruguay / 2006 JOINT EXHIBITIONS > Award Pintura UADE (selected artists)/ 2013. > Bienal Pintura. Ciudad de Rafaela / 2013. > "Los carniceros" / Lorry Barra Foundation. San Isidro, Argentina / 2012. > "Las Octavas" / La Fábrica, San Telmo. Buenos Aires / 2011. > Jardín Luminoso Gallery. Buenos Aires / 2009. > San Rafael Hotel. Punta del Este, Uruguay / 2009. > Expotrastiendas Espacio Emergente. Buenos Aires. Argentina / 2007. > Group Showing / Jones – Vicente Gallery. Punta del Este, Uruguay / 2005
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:74.8 W x 98.4 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Argentina.
Customs:Shipments from Argentina may experience delays due to country's regulations for exporting valuable artworks.
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Argentina
A gigantic canvas conceived from a motif, variations on a form (an inverted droplet, a face without features, nape of a neck, balloon?), which enables Magali Milkis to arrange aligned two-coloured figures in a perfect calculation of combined tones. The sensation of introspection which the work generates in turn allows other different interpretations. The brilliance of the acrylic and the texture of oil appear in silence. The monumental frames follow one another like the folds of a fan whose fretwork is not just perceived pleat by pleat alone in the motif, but together form a concatenation. Here, similarly, the independence of each work seems to be reinforced in the composition of a series. Apart from the obvious similarities between the paintings, it is not however about serial painting. The line which divides figure from background is in all cases plotted freehand, always different. There are no forms, though there are contrasts and transitions. Two coloured surfaces close and distant held together by an outline. The edge extends as a meeting and separation point between the planes, introducing the differentiation. For a moment we can run the risk of freeing the images from the concepts which hold them fast. Enough to accept what the works are, simply because they are there.
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