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France
Painting, Acrylic on Canvas
Size: 35 W x 45.7 H x 1.2 D in
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* Painting on streched linen canvas 50F / 116 H x 89 W x 3 cm (45,66 H x 35,03 W x 1,18 in). * '18: 18 XIII.VII.MMXXIX 'is an abstract representation of synchronicity according to Jung's definition which says that "It is about the simultaneous appearance of events which seem to be closely related but which do not have no visible causal link ”. Here the shapes and figures appear rhythmic and dictated in a chaotic way by the unconscious, that is to say by what is deeper and appear on the surface rather harmonious and composed in an aesthetic way. The error becomes almost voluntary and quite assumed. *** * '18:18 XIII.VII.MMXXIX' est une représentation abstraite de la synchronicité selon la définition de Jung qui dit qu'« Il s’agit de l’apparition simultanée d’événements qui semblent être étroitement liés mais qui n’ont aucun lien de causalité visible ». Ici les formes et les chiffres apparaissent rythmés et dictés de manière chaotique par l'inconscient, c'est à dire par ce qu'il y a de plus profond et se montrent en surface plutôt harmonieux et composés de manière esthétique. L'erreur devient presque volontaire et tout à fait assumée.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:35 W x 45.7 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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