VIEW IN MY ROOM
United States
Painting, Acrylic on Wood
Size: 16 W x 20 H x 1.5 D in
Ships in a Box
Artist Recognition
Featured in the Catalog
Artist featured in a collection
A moody piece that reminds me of gold clouds in a blue sky. The gold is incredibly lustrous and reflective. Every time you look at the painting, it takes on a different color and mood as the light changes and it goes from bright yellow gold to a more silvery gold. Check out other photos to see it in different light. Frame included. Ready to hang. From Los Angeles Art Critic Shana Nys Dambrot, "Karen Clark avails herself of an eclectic set of mediums and materials, including but not limited to painting, drawing, digital collage, and printmaking. These she deploys in all possible combinations in the service of pictorially hybrid compositions in which she freely samples stylistic languages from gestural abstraction to the surreal, naturalistic, ultra-modern, and romantic --
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:16 W x 20 H x 1.5 D in
Frame:Brown
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Karen Clark is a contemporary artist based in Los Angeles. She uses oil, acrylic and collage in her quest to find magic in the ordinary. Her art has been commissioned by Louis Vuitton, the Bellagio Hotel, the Mandarin Oriental, the Virgin Hotel, Los Vegas, and an HBO series. She has sold to private collections in Sweden, France, the United Kingdom, Germany, Italy, Israel, the Netherlands, Japan, Singapore, the US and more. Her art has been featured on on Artsy, the Huffington Post, CNN, and CBS. From Art Critic Shana Nys Dambrot, "Karen Clark avails herself of an eclectic set of mediums and materials, including but not limited to painting, drawing, digital collage, and printmaking. These she deploys in all possible combinations in the service of pictorially hybrid compositions in which she freely samples stylistic languages from gestural abstraction to the surreal, naturalistic, ultra-modern, and romantic -- inventively choreographing this gamut of choices into layered juxtapositions that are at once eerie and poetic, strange and familiar.
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