VIEW IN MY ROOM
United States
Painting, Acrylic on Soft (Yarn, Cotton, Fabric)
Size: 44 W x 31 H x 1 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
A multi-figure composition exploring aspects of The Last Judgment through the element of economy. Contour lines suggestive of soldiers join single strands to thread through the net creating explosive debris and dust clouds. No matter how full the composition, it’s practically invisible. Like mourning. A visual parallel to private yet communal sorrow. Pure, simple, restrained. Hair and artificial tears on military netting. Shipped in a roll.
Original Created:2011
Subjects:Nude
Materials:Soft (Yarn, Cotton, Fabric)
Styles:Expressionism
Mediums:Acrylic
Painting:Acrylic on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:44 W x 31 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Think of me as a visual Jungian. For over a decade my work has explored identity as a varied and hybrid representation, centralizing the figure as the site where myths, archetypes, and histories from different communal fonts collide. Most recently I am preoccupied with the Philosopher’s Stone archetype. Alchemists called the furnaces or ovens in which base matter was transmuted into gold the “House of the Chick” and “the womb”. This play of words intrigued me, imagining the liminal undomesticated body of the bride as a site of distortion, heat, pressure, and transformation. I began the series by distorting images of the bride using mirrors, reflections, and collaged materials. I set these experiments up in the studio and paint. Each is a liminal imago– dissolving and coming into focus all at once. Formally, I think of these as Cubism 3.0– engaging aspects of Analytical and Synthetic Cubism through a feminist lens and a nod to Pop. Injecting the patriarchal formalism of that seminal movement with mythic content. Reimagining the female form and her historic erasure as the actual source of value and meaning.
Artist featured by Saatchi Art in a collection
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