VIEW IN MY ROOM
1 - Limited Edition of 30 Photograph
France
Photography, Ink on Paper
Size: 47.2 W x 31.5 H x 0.1 D in
Ships in a Tube
Artist Recognition
Artist featured in a collection
About The Artwork
I find the wide horizons of the sea inspiring, both poetic and peaceful, and I photograph the sea at every opportunity. The images in this collection were shot in: Brighton, UK; the Baie de Somme, France and in Istanbul, Turkey. From the soft light of Northern Europe to the hazy hot morning in Istanbul, at the instant when I captured these scenes, the weather and the time of day produce very different effects. These are images that invite contemplation. They are scenes that will bring calm and peace to your interior decor. When I open the digital file on my computer the image is invariably all white. The colours appear by a combination of adjustments to the exposure, contrast, highlights or shadows. The image is there, but hidden, just like a film photo that is revealed in a bath of developing chemicals. I do not alter or artificially enhance the original image. Limited Editions, signed, and numbered, with a certificate. Size: 120cm x 80cm Printed by the professional photo lab PICTO PARIS on Canson Infinity Paper Watercolour Rag 310g, with the EPSON Printer P20 000. This highly textured 100% cotton paper has a natural and harmonious grain and warm tone that is ideal for art prints. The new generation of Epson Fine Art printers produces high-quality photos with subtle gradations and unparalleled sharpness.
Details & Dimensions
Photography:Ink on Paper
Artist Produced Limited Edition of:30
Size:47.2 W x 31.5 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
I am not interested in illustrating my time. I see no point in adding to the plethora of largely negative images of our time’s tragedies. My relationship with photography, with the light, is the same as that of a painter with her paints and canvas. My work in photography and painting, is inspired by the great artists of the past and present, by the soft colours of Impressionism, the vibrant tones of Fauvism or the Colour Field painters Mark Rothko and Clyfford Still, and more recently the blurred paintings of Gerhard Richter and Uta Barth’s photographs. I search for naturally occurring colour and create a blurred image with my camera, using different techniques, devoid of reference, free from any direct associations. Through the editing process I can add or remove colour, tones, highlights or lowlights, just as I add or scrape away paint on a canvas. By making images that do not conform to our existing vocabulary of the photographic medium, I want viewers to reexamine their expectations of what a photograph can be. My art is a contemplative experience. I want the viewer to pause and question, instead of simply recognising the content of an image.
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