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Bosa (Sardinia - Italy) Photograph

Armando Moreschi

Photography, Digital on Paper

Size: 0.4 W x 0.4 H x 0.1 D in

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About The Artwork

HDR Photo

Details & Dimensions

Photography:Digital on Paper

Original:One-of-a-kind Artwork

Size:0.4 W x 0.4 H x 0.1 D in

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Was born in Rome, 1949 , where he lives and works.

THE TECHNIQUES
In 1967, the neo-artist Armando Moreschi, is attempt more to listen to the musics of the Beatles and the Rolling Stones that to study in an industrial - technical institute. It has in his head, long hair and the beautiful ideas of peace, than he and its contemporarys sing and song in continuation. In its roman study first approaches of techniques painted or strained on burlaps take to shape its and compensate wood, or simply it designs on paper and other support. The first techniques are most traditional, and naturally they do not satisfy it. Already a year after but he it lands to a not at all common material to an artist self-taught. On a wood tablet one takes to shape the number 1. On this tablet it comes simply strained from the jar vinilica glue. And' beautifulst, she is white, but drying up itself he will become transparent. That experiment colored with of the red ink of china will reveal to it that: informal it is beautiful! The colors of those years set afire you from the first juvenile revolutions, it they inspire to the peace and the thematic love and the tones from son of the flowers. The technique but is little evolved; and it is in the 69 that with a system similar to what the pastry cooks use for their cremose decorations the first acrylic Reliefs are born. The filiform feature is to relief and is initially transparent. Some year after but the graphical jet effect, always created, (without one base designed) evolve in a paste of synthetic conglutinant and acrylic colors. The approach of the colors, of the china inks that fill up the spaces delimits to you from the reliefs, is dictates to you from a cromatism sometimes balanced sometimes violent. They are rendered more shining from one layer final Damar varnish. This technique therefore, from the search begins them, grow in the time and through it the artist expresses its originality. Some years ago, inspiring itself to the materico-informal jobs of Turcato he elaborates some works on phosphorescent background that lights its tavolozza of one new light.(automatic traduction)

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