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Cere as Pasiphae - Palladium print Photograph - Limited Edition of 2

Matthew Houston

United Kingdom

Photography, Palladium on Paper

Size: 4.2 W x 6.9 H x 0 D in

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About The Artwork

From a series begun in the late 1990s. The studio, a sailing ship from 1920 moored in London, England, also served as a venue for regular theatre and cabaret evenings. The little stage I built was part of the studio and I began to make photographs of performers, friends, actors and models. The reference for this pose was a photograph attributed to Henri Rupp and used by Gustave Moreau as a study for his painting Pasiphae, 1890. This is a palladium print made directly from the negative - one of only two. Embossed with the artists blind stamp and also signed on the back in pencil. Shipped with a signed Provenance Paper which also bears the studio stamp.

Details & Dimensions

Photography:Palladium on Paper

Artist Produced Limited Edition of:2

Size:4.2 W x 6.9 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Matthew Houston was born in London in 1961 and grew up in Norfolk and Suffolk. An interest in photography began early in life, growing out of two childhood obsessions - chemistry and the natural world. He studied printmaking at Central School of Art, London and also earned an honours degree in photography from the London College of Printing. ' Photographs generally have an emphasis on the image formed by a lens. That's mostly where the subject is to be found. I discovered, during my student days and beyond, that I was increasingly drawn to the materials that were forming the picture. The materials and the processes involved.' While running a Cabaret on a sailing ship moored in the London docks he began making portraits using the small stage. First with friends and then actors, models and dancers. Many were made with large format cameras using sheet film and Polaroid. ' I set out with no preconceived ideas. I was interested to see what would happen. It was the stage itself that prompted the inclusion of a person. Sometimes I've used references to mythological figures as a starting point. I think that was also suggested by the stage, the platform, the pedestal to be stood on. And it was a way to hint at something of the ancient and mythological. I noticed it doesn't have to be pushed as a simple pose or some small detail can open a door to so much. Well I find that anyway. And then using Polaroid film gave the material a chance to be part of the picture as well. Polaroid is known for all kinds of quirks and accidents that are a reminder of process. As with other photographs I've made I feel it important that material and process are still included, still evident.”

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