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Climate Refugee With Magenta Veil - Limited Edition of 1 Photograph

James Longley

United States

Photography, Digital on Paper

Size: 20 W x 28 H x 0.1 D in

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About The Artwork

This is a single edition, unique signed print. Only one will be sold at this size. I lived in Pakistan for over a year while working on a documentary film set in an orphanage in Rawalpindi. During the years I was there a massive climate disaster struck Pakistan in the form of the 2010 floods, which devastated the country - claiming thousands of lives, washing away whole villages and making millions of Pakistanis into climate refugees. These floods in Pakistan were perhaps one of the first great disasters of the era of Climate Change. I spent weeks following the catastrophic flooding as it swept down through Sindh Province. Along the way I began making portraits with the Pakistani villagers who were now homeless, living in refugee camps, schools and other government buildings on higher ground. This image is one of those portraits. While making these portraits I also made a short film for UNICEF about the Pakistan flooding of 2010, from the point of view of a Sindhi boy named Ejaz, which may be viewed here: https://youtu.be/Q3_nnyYFSIo The woman in this portrait was living in a tent with her family in a crowded refugee camp next to the highway in Sukkur, Sindh Province. The camp was packed with tens of thousands of villagers who had fled their homes and villages when the flooding came. Now they were all living in tents, cheek by jowl, until the waters receded and they could go back to rebuild their lives. They waited in long lines for food. By the time I took this photograph the sun had already set and there was only the soft light of the burning sky, turning the colors of the world into stained glass and illuminating her care-worn face. Her eyes tell a story. Her face is a map. Forget everything you have been told about beauty by our pop culture; to me at that moment she was the most beautiful person on earth. I love her strength, her resilience. You can see the humor in the corners of her mouth, her kindness, intelligence, and sense of loss. The goal of my work in Pakistan and the other West Asian countries where I have lived over the past decades has always been to express to a broader audience the beautiful humanity that I found all around me. The people in these countries have suffered greatly through various wars and conflicts, but their character remains stronger than ever. My films and photographs are love poems to my friends and all the people I met and who allowed me to immortalize them in stills and in motion. This image is a single edition print. The print is 28 x 20 inches, which includes a 2-inch white border The printed portrait image is 24 x 16 inches Signed print Rendered on museum quality Hahnemühle Photo Rag paper, made by a fine art printer in the United States. About the paper: Hahnemühle papers are designed for archival storage are acid-free, which makes them highly resistant to ageing. The paper is also lignin-free, which means it should consist of linters or alpha-cellulose. Lignin-free paper does not yellow.

Details & Dimensions

Photography:Digital on Paper

Original:One-of-a-kind Artwork

Size:20 W x 28 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

From a multiple Oscar-nominated and Sundance award-winning filmmaker who combines fine art sensibility with a passion for communicating the worlds of civilians caught up in conflict, Longley’s film and photography work witnesses places such as Gaza, Iraq, Iran, Pakistan and Afghanistan. Through an approach best described as Slow Journalism, Longley creates a big picture view from an intimate perspective. Describing Longley's work in the Los Angeles Times in 2019, film critic Kenneth Turan wrote: "What is life like on the ground for ordinary people in another culture, another world? That’s been the bread and butter of observational documentaries for forever, but almost never is it done with the kind of beauty and grace filmmaker James Longley brings to his Afghanistan-set “Angels Are Made of Light.” As his 2006 Oscar-nominated “Iraq in Fragments” demonstrated, MacArthur Fellow Longley, who serves as his own cinematographer as well as directs, has an almost magical ability to envelope us in other realities. He does it via the poetry of his imagery as well as a gift for focused illumination that creates empathetic portraits of people who are both ordinary and intensely involving." ... In 2009 James was named a MacArthur Fellow, and in 2011 a USArtists Ford Fellow. These substantial awards helped to create his most recent filmed and photographic work. James has taught master classes at Hong Kong University, Duke University's Center For The Arts, The Goethe Institute in Kigali, and in Zurich for FOCAL. Longley has been nominated for two Academy Awards and won three Jury Awards at Sundance - for Directing, Cinematography, and Editing - among many other heartwarming accolades. 35mm prints of Longley's filmed work can be found in the archives MoMA, The Academy Film Archive, the Duke University Archive, Wesleyan University, The Northwest Film Forum and the Library of Congress. A portion of James' income from the sale of these images goes to support the people he has filmed and worked with the past - particularly in Afghanistan. Please visit James' portfolio site at www.jameslongley.com for more photography and films, and to contact him for custom printing or to commission work.

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