VIEW IN MY ROOM
United Kingdom
Photography, Color on Paper
Size: 27.6 W x 19.7 H x 0 D in
Ships in a Tube
Distance; Giclée print on Hahnemühle Photo Rag, 70cm x 50cm. Limited edition of 20, signed and numbered. Part of my series ‘Dispositions’, my process begins with kayaking out to sea in specific weather conditions to document the point of interaction between the sea and sky. I digitally manipulate the image relative to my feelings as I work, combining the initial stimulus of elemental light and colour with my internal state during the creative process.
Original Created:2020
Subjects:Seascape
Materials:Paper
Styles:AbstractContemporaryFine Art
Mediums:ColorGicléeDigitalManipulated
Photography:Color on Paper
Artist Produced Limited Edition of:20
Size:27.6 W x 19.7 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I'm based in Hastings on the south coast of England and am fortunate to live within a short walk of the sea. I have a background in psychology, education and commercial freelance photography. I’m interested in the elemental, temporal relationship between the sky and the surface of the sea and how different combinations relate to human psychological states. In language there are strong links between weather, light and sea states and descriptions of human moods and feelings. For example, the specific terminology used for different degrees of swell include ‘very low’, moderate’, ‘high’ and ‘confused’. My aim is to explore and illustrate this environmental/psychological analogy from a personal perspective. Working from my kayak, I feel immersed in the environment and it’s from there that I first document the light, colour and texture in different conditions. I then work with an image to abstract, concentrate, merge and distort elements. Each work is a progression; I begin with a feeling rather than an aim for a specific final result and allow my thoughts, emotions and memories to influence and direct the work.
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