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Fantastic architecture IV - Limited Edition of 10 Photograph

Sebastian Cuenca

Germany

Photography, Digital on Paper

Size: 27.6 W x 19.7 H x 0.1 D in

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About The Artwork

Sometimes it is reality that limits the imagination. The inevitable law of gravity, the laws of economics, and the lack of technical means are circumstances that impose restrictions on architecture. But the imagination is powerful. The architect frequently entertains his spirit in the fantasy of an architecture that will never really be embodied. Two reasons propitiate this mental game: pure pleasure and curiosity for everything that can be found in regions closed to reality. Fantastic architecture exercises are never useless; When the auspicious moment arrives, they emerge to the real surface and offer their model under the sign of suggestion. Floating buildings, impossible curves, infinite stairs, eternal spaces, is all that is achieved by reflecting the typical images of architectural photography. Collection of photographs inspired by science fiction, cyberpunk culture and modern architecture. From a limited edition of 10, this work is printed on Hahnemuhle Fine Art Baryta paper, which sets the standard for image definition and color depth. Each print is signed and numbered by the artist. For additional sizes and framing options, please visit the website at www.sebastiancuenca.net.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:10

Size:27.6 W x 19.7 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Nací en ciudad de México a finales de los años setenta, provenientes de una familia de inmigrantes y amarré raíces en un México de carnalismos del cual me siento orgulloso. Mi primer acercamiento a la fotografía analógica profesional fue a finales de los años noventa, cuando trabajé en una agencia de publicidad,"Modulo siete" en Jalapa, Veracruz. A principios del año dos mil, regresé a la ciudad de México a estudiar fotografía en la escuela americana de fotografía Ansel Adams. Un par de años después, tuve la suerte de mudarme a la ciudad de Oaxaca, donde pude aprender de maestros como Alberto "el negro" Ibanez o Alejandro Echeverría, siendo este último un baluarte muy importante en mi quehacer fotográfico. A partir de 2010 me mudé a vivir a la siempre enérgica y vibrante ciudad de Berlín, donde me alimento y respiro fantasía y entusiasmo en cada esquina. En esta ciudad conocí a Rüdiger, quien con su trabajo, me amplió la visión del quehacer del artista visual, y es, con esa visión y mi Background personal con la que pude crear lo que llamó, mi propio lenguaje fotográfico.

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