VIEW IN MY ROOM
Australia
Photography, Black & White on Paper
Size: 35 W x 23 H x 0.1 D in
Ships in a Tube
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
Through a glass, darkly 2017 A western Sydney car recycling yard houses hundreds of smashed cars, row upon row with their bonnets up. Car-lovers stroll through the space to purchase spare parts. The interesting patterns on the cracked safety glass look like street networks seen from above, recalling Sydney’s current road expansions cutting new paths through cities, suburbs and the bush, bringing people and products together. Capitalism depends so much on our ever-expanding road networks. They define movement and life and gobble up land and livelihoods. The cracked glass is a metaphor for these interconnections made by roads and their central place in capitalism. Through the shattered glass we see the dark nature of rampant consumerism and the devastation of our environment that is required to sustain it. Both the smashed cars and our road networks share redundancy. The black and white images reference our impaired perception of what we are doing to our world: For now we see through a glass, darkly.
Photography:Black & White on Paper
Artist Produced Limited Edition of:1
Size:35 W x 23 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
I'm an emerging photographer and live and work in Sydney, Australia. I won the 2018 Dis-Moi Dix Mots Competition, Alliance Française Sydney; and was a finalist in the 2018 Mandorla Art Prize and the 2017 Bowness Photography Prize. I was a finalist in the Chippendale New World Art Prize and the Agendo Art Prize in 2015, the 2010 National Youth Self Portrait Prize at the National Portrait Gallery in Australia and my work was featured in the People Gallery, National Geographic Magazine Photo Contest in 2010. I received a 2017 PhotoAccess Canberra Artist Support Package; My artwork explores redundancy and urban change. My interest is in objects, structures, buildings and the urban landscape, and in particular the increasing number of ‘non-places’ that fill our environment. Waste centres, derelict service stations, road works, car parks and abandoned factories. Beauty is found in these places of repulsion, neglect or obsolescence. Inverted images of rubbish emphasise the negative side of consumerism, like an x-ray points out disease. Portraits of people with their weekly waste explored Italo Calvino’s suggestion that we are defined by what we dump. Cracked car windows and night road works are a metaphor for the central place roads play in capitalism.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Melbourne, Melbourne
Artist featured by Saatchi Art in a collection
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