VIEW IN MY ROOM
Lithuania
Photography, Digital on Aluminium
Size: 11.8 W x 16.5 H x 0 D in
Ships in a Crate
The original sculpture was created in 1999. Materials are grenade, golden rings. Information about the sculpture Sculptural object “…I will love and respect you for life…” was represented in the international jewelry fair “Ring” in 1999. A marriage vow phrase - “I will love and respect you for life” – used as a title (reveals a warning) warns that none of the two rings should be pulled out from the union of two people, in this case grenade… because it can explode… The photography of the sculpture was made in 2018.
Photography:Digital on Aluminium
Original:One-of-a-kind Artwork
Size:11.8 W x 16.5 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Lithuania.
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Lithuania
I have staged more than 40 personal exhibitions in Lithuania and abroad, participated in international exhibitions and contemporary art fairs in Lithuania, USA, Germany, Great Britain, Holland, Austria, Switzerland, Portugal, South Africa, Poland and other countries. Over the years I have developed his individual and specific artistic language. Distinctive pattern, productivity, consistent courses of creative intentions determine exclusiveness in contemporary art space. In the creative process harmonises suggestion of thoughts and views, philosophical insights and precision aesthetics, links between archaic and present times, unfolds the wisdom accumulated in traditions. Home, adoration of Creator and bellowed ones are the main topics of my works. Titles are polysemantic and are closely related to topicalities of present time (moments) – (absurdity of political games, ecological dangers, loud noises made by modern media and virtual world). Fundamental ready-made objects are stones from the Baltic Sea and fieldstones. The collection of these stones is constantly being renewed and pictured in large- scale spatial installations, monumental sculptural objects, small stone and metal plastics and conceptual jewellery creations. For me stones are more than just (raw) material: they are primarily, personalised substances, highly provoking recognition of life’s mystery. Works of the artist testify the miracle of recognition, about what is true, simple, eternal.
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