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Jura22_#09 Edition 2/3 Photograph

joelle Cabanne

Switzerland

Photography, Color on Aluminium

Size: 15.7 W x 11.8 H x 0.4 D in

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About The Artwork

Jura, the first digital series developed in 2022 by the artist. This series is part of the Pantone Landscape work started more than 10 years ago today. The mountain represented is the Jura and the choice of the pink colour chart allows the artist to create a universe with an unreal atmosphere. No trace of man allows the viewer to freely enter this new world created from reality and transformed by the artist. Contemplation and escape are thus pushed towards a world composed of landscape sensation.

Details & Dimensions

Photography:Color on Aluminium

Original:One-of-a-kind Artwork

Size:15.7 W x 11.8 H x 0.4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Joëlle Cabanne a swiss female artist born in Geneva in 1976. After an Artistic Maturity at Voltaire College in 1997, she study Art History and Cinema History at the University of Lausanne and Geneva (1997-2000). Passionate about architecture, she continued her education at the EPFL (2000-2002) and then turned to the Haute École d'Art et de design Genève HEAD where she obtained her Bachelor of Art in 2005. Since then she works as an architect in Geneva and pursues her artistic activity in parallel. During 7 years she taught the architecture as well as volume and drawing at the CFPArts in Geneva. Insatiable, she pursues her path as an architect in parallel with her work as a visual artist, since she co-founded dasBureau office of architecture and design. Today Artist's Studio and Architecture's Office share the same space and grow together in symbiosis. Artist Statement The line builds everything. Charged with a symbolic, representative or spatial force, the line structures Joëlle's artistic universe which she calls alternately *ExtraWelt* *Fields* or *paysages recomposés* The mains titles of her artseries. The line is also paths, trajectories, the line has a beginning and an end in architecture. The line is also colored, textured, infinite, curved, straight, dotted. It becomes the conceptual and aesthetic foundation of the art of Joëlle Cabanne. Like Ferdinand Hodler in front of the grandiose of the Swiss mountains and lakes, she dives into the colored sensation of the landscape, in the effects of mists, in the lines of crests... thus making appear the landscapes as expressionist metaphors of vital energy.

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