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Let Me Love You To Death - Metal Print - Limited Edition of 100 Photograph

Patrick Riley

United States

Photography, Metal on Aluminium

Size: 18 W x 24 H x 1 D in

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$715

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About The Artwork

Let Me Love You To Death Limited Edition of 100 Two sunflowers nearing their last day. One clinging tightly to the other as they slowly wilt away. This piece is a part of a limited edition series of 100, available on both aluminum and/or Epson Premium Luster Photo Paper (photo paper prints are framed/matted). Epson F-Series dye sublimation printing for the sharpest and widest color gamut possible. Lead time-- aluminum prints typically arrive in my Kentucky-based studio within 1-2 weeks and will then ship to you 2-3 business days after I receive/inspect them. All limited edition prints come with a COA from my studio, signed and dated by the artist.

Details & Dimensions

Photography:Metal on Aluminium

Artist Produced Limited Edition of:100

Size:18 W x 24 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Patrick Riley is a Kentucky-based artist & photographer. His oil paintings embrace abundant layers of paint applied mostly through the use of a palette knife in an impasto-type style. He often uses pigments from natural elements of the Earth in his paint to pay his respect to nature. Patrick’s distinctive style combines both symmetry and chaos. His use of bold and vivid colors arranged throughout the painting in heavy patterns form a breathtaking composition. Patrick grew up painting and drawing with a distinguishing talent for capturing objects from a unique perspective. “I want the observer to view it as if they are seeing the subject matter for the first time,” Riley explains. “I feel that you need to believe before you can see, and believing that this particular dreamlike world exists allows me to see it and paint it,” he adds. Being an admirer of poetry and a poet himself, Patrick likes to incorporate the use of poems & prose into his artwork. “The painting has so much more to say,” he states. “I don’t feel like the story ends when the last drop of paint hits the canvas.” With this being the case, most of Riley’s work also consist of an analogous story that belongs to each piece, usually inscribed onto the back of the canvas.

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