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MARILYN MONROE - IMAGINE THROUGH DESIRE / green Photograph - Limited Edition of 10
Austria
Photography, C-type on Cardboard
Size: 41.7 W x 39.4 H x 0.8 D in
Ships in a Crate
About The Artwork
In ihrer Serie über Marilyn Monroe experimentiert Jeanne Szilit mit exquisiten Screenshots der berühmten Diva, die sie in komplexen digitalen Experimenten auf ihre farblichen, emotionalen und bedeutungsimmanenten Ebenen hin untersucht, und deren verborgene Expressivität sie dabei freilegt. Das Ergebnis dieser subtilen Bemühungen sind mythische Psychogramme dieser berühmten schönen Frau, die sich auf eine ganz spezielle Weise in ihrer Traum-Ikonographie verloren zu haben scheint. Sie ist sich des Begehrens sicher, das ihr Image auszulösen imstande ist. Dieses verheimlichte Paradies muss den Blicken immer neu entrissen werden. Aus Überblendungen ziseliert oder in schillernd grelle Dunkelheit getaucht, breitet es sich wie ein wunderbarer Niederschlag des Verlangens auf den Bildern aus, denen es in unbewusster Konsequenz den Stempel des Traums aufdrückt.
Details & Dimensions
Multi-paneled Photography:C-type on Cardboard
Artist Produced Limited Edition of:10
Size:41.7 W x 39.4 H x 0.8 D in
Number of Panels:3
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Austria.
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Austria
I work with the imaginary archives of our cultural pictorial memory. In exploring the relationships between body, intimate and collective memory in a sort of hyper-attentive perception I merge diverse narratives into polyphonic visions. While seeking to capture the fictions, moods and abysses of an image it is the intense emotional-intellectual intrigue that grips me what finally matters. I think of pictures as opaque and transparent. I think of darknesses that open up, of surfaces eroding. I am interested in ambiguous context, in thresholds and liminality, in crossing lines, shifting from a simulated distance, as if in a mirror. It's an imaginative setup allowing for unconscious memories to unfold. I mainly work with photography and digital transformation processes, but sometimes also with painting, film and various other media. My approach is ultimately timeless, whereas my tools and materials may infinitely change. My artwork is in both private and Museum collections in Europe, China and the US.
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