VIEW IN MY ROOM
United States
Photography, Digital on Other
Size: 46 W x 21 H x 0.1 D in
Ships in a Tube
PLEASE CLICK ON THIS PIECE TO EXPAND TO FULL PAGE VIEW - A LIMITED EDITION PRINT Brilliant, Striking, Melodic...Once again we see the influence of a fully amassed symphonic orchestra, translated in art as seen in many Lindenberg pieces. MARCH OF DISPOSITION brings color complements rarely seen; from reds to greens, blues to turquoise. Artistry combines painting and drawing. The quality of this print is guaranteed via the archival, museum quality paper and 100% acid free finish. The Paper: The Entrada Fine Art Paper is what put the Moab brand of quality paper on the map. This award-winning 100% cotton smooth fine art paper helps to bring your vision to print through superb ink handling and sharpness. Entrada is an archival acid- and lignin-free paper with an expanded color gamut, natural contrast and high ink load. Combined with our archival inks, your prints will last for generations. Entrada is a heavyweight (290 gram) paper that is the ultimate in fine art reproduction paper quality. Border: The piece is UNFRAMED, however a 1" white border is provided for easy handling.
Photography:Digital on Other
Artist Produced Limited Edition of:1
Size:46 W x 21 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Judith Lindenberg is a Southern California gal, born and raised in the Los Angeles area. Growing up in a musical household, her mother was a classical pianist, a composer and lyricist. Her dad, a man of medicine first and foremost but with a love for music, was one of the founders of the Doctors’ Symphonic Orchestra of Los Angeles. He played just about every instrument he picked up but had a passion for the flute and piccolo. So, with this musical home and family environment and a personal love for all things natural, from birds to trees, to stones and leaves, Judith began to forge her career in art at a very early age. She has committed most of her time to her own studio, creating pieces where the musical influence can be clearly seen. On the flip-side, her collages include branches, leaves, fossils and stones; rubbings from pieces of marble and slabs of tree trunks. Her commissioned work is created and sold through her own studio, rarely seeking gallery exposure.
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