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FineArt print made on Canson Infinity Baryta Prestige paper. Limited edition of 3 prints. Signed and numbered on front (below printed area). Print comes with an hologram and the Certificate of Authenticity.

I take the best images when I'm happy: I spent a lovely afternoon in the Golden Gate park, killing time wandering with my camera rather aimlessly around lakes, waterfalls and chinese pavilions, sometimes lost, still accompanied by beauty and grace in a cloudy cold day of June in San Francisco. 

It made me happy. 

I then moved to the Golden Gate bridge an hour before sunset, met by the fog on the Bay that I was hoping for. No golden light from the sun was cutting through the thick fog, only a small portion of the bridge was visible, while the rest was lost in the dark blue mist. There still were so many people leaving a warm and bright place, heading towards what they could not see at the end of the bridge, if there was an end, looking for something either better or entirely different, or simply crossing without knowing why. Shall we cross the bridge?
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VIEW IN MY ROOM

Misty Gate - Golden Gate Bridge, San Francisco - Limited Edition 1 of 3 Photograph

Francesco Carucci

United States

Photography, Digital on Paper

Size: 36 W x 24 H x 0.1 D in

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$715

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246 Views
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About The Artwork

FineArt print made on Canson Infinity Baryta Prestige paper. Limited edition of 3 prints. Signed and numbered on front (below printed area). Print comes with an hologram and the Certificate of Authenticity. I take the best images when I'm happy: I spent a lovely afternoon in the Golden Gate park, killing time wandering with my camera rather aimlessly around lakes, waterfalls and chinese pavilions, sometimes lost, still accompanied by beauty and grace in a cloudy cold day of June in San Francisco. It made me happy. I then moved to the Golden Gate bridge an hour before sunset, met by the fog on the Bay that I was hoping for. No golden light from the sun was cutting through the thick fog, only a small portion of the bridge was visible, while the rest was lost in the dark blue mist. There still were so many people leaving a warm and bright place, heading towards what they could not see at the end of the bridge, if there was an end, looking for something either better or entirely different, or simply crossing without knowing why. Shall we cross the bridge?

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:1

Size:36 W x 24 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For more than fifteen years I’ve been working as a software engineer, mostly creating computer graphics for videogames: as a blend of creativity and technology, my job fostered not only my engineering side, but also my artistic sense by having been in constant contact with the amazing creative people I’ve been working with through the years. I originally picked up photography almost ten years ago to be able to understand their minds and their language, which is not the language of math, but that of colors and forms. I was hooked. Through mastering the technical aspect of photography, along with improving the artistic vision, my photographic work has been constantly growing since: I started as a commercial stock photographer, my work is represented by stock agencies such as Getty Images, Shutterstock, Spaces Images and Alamy. It has been featured on several travel magazines, books, advertisement campaigns and used by companies such as Apple. I place great importance on constantly improving my photography technique and tools, the viewer deserves the best quality I can provide in my images and the emotions they convey are enhanced and strengthened by clarity. My work is unfolding towards conceptual Fine Art Landscape Photography. Where landscape photographers traditionally shy away from including the human element in their work, I embrace it: most of my images show how men have a positive impact on the landscape they touch, modify, enhance, balance. The human element, being the main subject or marginal, is present in my images to remind the viewer that we are here to stay, and we can stay with beauty and grace.

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