VIEW IN MY ROOM
United States
Photography, Photo on Paper
Size: 65 W x 34 H x 2.5 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
Series: Together / Discombobulated. Available in Museum Edition of 5 - 34"X65" (86cmX165cm) Artist Hand Printed Edition of 12 - 24"X45" (61cmX114cm) includes 2" (5cm) white border Please contact the artist for details. In this current, I'm exploring harmony within chaos and reconciliation within the austere contours of hi-ways, concrete, architecture, and cityscapes in Los Angeles. Inspired by the formal conventions of cubism and abstract-expressionism, I reduce my digital camera to its primordial roots by using multiple-exposure rather than digital manipulation of Photoshop layers. Here, my images are shaken-up-and-stirred behind the lens by movements, time fragments, and time-exposure and multiple-exposure. My compositions are deliberate, purposeful while fully spontaneous, resulting in stripping away dimensions, breaking down the delineations of objects to discover their fluid harmony. Chaos has never been more beautiful. This Musem edition is printed on archival C-type, face-mounted on UV museum acrylic and back-mounted on Nudo aluminum board, which then is framed in raw plain steel. This piece is very heavy, it weighs around 55lbs (25kg).
Photography:Photo on Paper
Artist Produced Limited Edition of:5
Size:65 W x 34 H x 2.5 D in
Frame:Other
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Above all, I am a storyteller. My medium is the camera, and my dialogue fills the space between reason and the unconscious. I have been an image-maker for over 25 years. I hail from Budapest, Hungary, the birthplace of my photographic heritage in the form of such influencers as Moholy-Nagy, Kertesz, Munkacsi and Frank Capa (who incidentally said: "It is not enough to be a talented photographer, you also have to be Hungarian." By which he meant Hungarian-Jewish.) As an Atheist-Jew turned Theologian turned Spiritual-Gangster, I have always sought the light. It first struck me through the viewfinder of my Russian medium-format camera. I was only 10. Since I can remember I have always interpreted the world through images. They gave me, a childhood dyslexic, a way to engage in meaningful discourse that otherwise might have been denied me. My work is reactive. Profound experience is my trigger. It resonates and is assimilated into the instinctive/emotional/intellectual self. This is where my stories are born. They are seldom linear or narrative, but are always personal, often contemplative, and unequivocally rooted in the collective unconscious. My current collections are such a discourse. It discusses the myriad ways in which the stimuli of my environment in perplexing Southern California affect my instinctual self. In four projects, I am engaging three unique, but related, formal qualities of my medium. Take the mythical vortex that is Joshua Tree, or the concrete pandemonium of Los Angeles. The terrestrial gateway to the “other side” versus the estuary of the terminally unique. Both a cause for a pause.
Artist featured by Saatchi Art in a collection
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