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Nashville. Nashville, Tenn. 2023 Photograph - Limited Edition of 18

John Valenti

United States

Photography, Color on Paper

Size: 33.8 W x 24 H x 0.1 D in

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$1,360

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About The Artwork

No trek to Nashville would be complete without a stark reminder that this remains a city on the mend, following the devastating bombing Christmas Day, 2020. Though the city continues to recover, many of the buildings along Second Avenue -- buildings that also border [on the other side] the riverfront along the Cumberland River -- remain boarded and waiting for remodels and resurrection. Still, I always think there's beauty in resilience and somehow the face of this brick building, with the NASHVILLE sign painted on it, screamed that -- and so I decided to make some shots here. Offered in a Limited Edition print, numbered and signed, on Hahnemuhle Fine Art Pearl. Size is 33.8 x 24, 35.4 x 25.6 with borders . . .

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:18

Size:33.8 W x 24 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm a national award-winning journalist and nine-time Pulitzer nominee who's made hundreds of TV and radio appearances, including NPR and Good Morning America. Author of Swee'pea [Simon & Schuster / Atria], a critically acclaimed book centered around New York City playground basketball legend Lloyd (Swee'pea) Daniels, I've been featured in several documentary films -- including the Emmy Award-winning ESPN 30-for-30 Big Shot. While I've worked primarily as a sports reporter, news reporter, columnist and investigative journalist, I've also done travel writing and photography during a four-decade career at a major New York daily paper, and I'm currently shopping my first novel. This marks my first foray into selling my fine art photography . . . P.S. I've noticed that when it comes to calling up full screen versions of some photos they appear to lack clarity. PLEASE use the "Original" file -- especially, when you're looking at Open Edition prints -- because those files appear to be proper large-scale renditions. Hoping this gets rectified . . .

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