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VIEW IN MY ROOM
VIEW IN MY ROOM
Size: 24 W x 27 H x 0.2 D in
Ships in a Tube
Artist featured in a collection
Featured in Inside The Studio
Showed at the The Other Art Fair
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Underwater is one of the most demanding, yet rewarding environments for fine art figure photography. Bodies, attitudes and relationships transform in a gravity-free environment, creating new options for images that would be difficult or impossible to achieve on dry land. These images are photographed in swimming pools in and around Los Angeles, using only natural light. Each one requires many hours of computer retouching and enhancement to bring out the color and detail that underwater photography often lacks. Limited edition prints are made on heavy fine art paper and have a greater life expectancy than archival wet process prints.
Photography Print:Color on Paper
Artist Produced Limited Edition of:9
Size:24 W x 27 H x 0.2 D in
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ed Freeman started his career in the music industry: as a road manager on the last Beatles tour, playing guitar on dozens of pop recordings, writing and conducting orchestral arrangements for Carly Simon and Cher among others and producing over two dozen albums, including Don McLean's immortal "American Pie." Starting twenty-five years ago he gradually transitioned to his other great love, photography. Since then he has published two hardcover books, an iBook and exhibited widely in galleries and museums, both in the United States and abroad. He has been featured in dozens of photography magazines and books and has scores of cover pictures to his credit. His fine art images are in private collections worldwide and in the permanent collections of several prominent American museums. Freeman is widely recognized for his expert and innovative use of Photoshop in creating images that run the gamut from believable realism to pure fantasy. His controversial position regarding image manipulation is that what he is producing is not journalism but fine art – pictures that are to be appreciated for their intrinsic esthetic value rather than for their accuracy in depicting an actual event or place in time.
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