VIEW IN MY ROOM
Power - Limited Edition of 6 Photograph
United States
Photography, Color on Aluminium
Size: 20 W x 30 H x 0.5 D in
Ships in a Box
Shipping included
Artist Recognition
Artist featured in a collection
About The Artwork
Rebecca Skinner’s “Power” is a 30 x 20 inch metal print and is part of her “Transient” series. The peeling paint, texture and pink and green color exudes strength. The frameless print has a satin finish is infused directly into metal making it waterproof and easy to clean. It hangs easily with a float mount and the artist’s signature is located on the back. With true vibrant color and amazing detail “Power” makes an excellent addition to your home or office. Abandoned buildings serve as the focus of Boston-based Rebecca Skinner’s most recent series of photographs. She seeks to immerse the viewer in the scene, intertwining them and the location in a single narrative of nostalgia and respect for the suspended moment. She portrays these facilities not only as preserved instances of a forgotten time, but as the summation of the place’s history and beauty. Skinner studied at the Rhode Island School of Design, RI. Artscope, BostonVoyager and Upworthy are just a few publications that have featured her widely shown work.
Details & Dimensions
Photography:Color on Aluminium
Artist Produced Limited Edition of:6
Size:20 W x 30 H x 0.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Rebecca Skinner photographs abandoned spaces throughout the United States. She is a modern-day urban explorer seeking unique neglected structures and desolate places. Her subject matter includes images of large open spaces and details such as peeling paint and rust. Texture, color and light play an important part in her image making and she is attracted to the beauty of these places as well as the forgotten history. Time is of the essence as some locations have since been demolished or restored, while others remain frozen in time. Danger is often present, whether it be from rotten floors, hazardous materials, or unexpected inhabitants. She never goes into these places alone and is strongly invested in leaving no trace. Working with tripod and natural light, Skinner does not stage her photographs — there is already a story to be told without making any adjustments.
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