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SERIE ' EXTENDED SELF ' #1 Photograph - Limited Edition of 1

Mo Maria Sarkis

France

Photography, Black & White on Cardboard

Size: 27.6 W x 19.7 H x 0.4 D in

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About The Artwork

From Serie ' EXTENDED SELF ' Photography and Installation: work in process, “EXTENDED SELF” Serie Of Photohraphs and In-Process Art Installation, Questions notions and meanings of expiration nowadays and Human’s Labor Vs Machine’s Labor… I photograph daily objects that i find thrown away inanimate ,expired , also objects that are tools to repair … “Beauty is not in the face; beauty is a light in the heart.” -Kahlil Gibran Serie Of Photographs , Edition 1/7 Copyright© 2014 MO. Maria – All Rights Reserved – You are not allowed to steal, copy, reproduce or display my pictures without my permission. Photograph printed on cardboard , Available For Sale , 50 / 70 cm , Shipping worldwide maximum period of 10 business days , For additional information on this artwork please contact us on the following email address : ashesspaces@gmail.com #mariasarkis #momaria #art #artist #visualart

Details & Dimensions

Photography:Black & White on Cardboard

Artist Produced Limited Edition of:1

Size:27.6 W x 19.7 H x 0.4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For Any Information Please Don't Hesitate To Contact Us : ashesspaces@gmail.com https://www.zealous.co/momariasarkis/portfolio/ Artist Statement: Mo Maria Sarkis started her journey as an artist in 2004, initially using painting as her medium. She continued work on painting in various exhibitions in Lebanon. After a few years, she took up different artistic residencies in France and Turkey that prompted her to use mediums other than painting. During her time in these countries, Mo Maria began to investigate the power of languages and dialogue as well as the concept of immortality. Her last residency in Paris in 2010 allowed her to explore the codependency of humans and machines during a rush hour at the Paris Metro (Recording Movement1). In 2011, she returned to Lebanon to later took part in a 2013-2014 program in which Ashkal-Alwan hosted foreign artists for their residency. Now her practice has evolved to using a multi-media approach involving installations, video, and photography. Mo Maria currently inquires into the extension of linguistics that has moved beyond humans to the communication used by various forms of machinery. Mo Maria hopes to continue to explore the language of machinery and its place in the modern world. She wants to question the political and aesthetic divide of public and private places. Mo Maria’s current work is an evolution of how her work on surrealist paintings were later influenced by the Dada movement to became spatial public installations that address the place and identity of humans and machinery in the modern world. Her current work, which reflects on writing from the French anthropologist Michel Foucault about public spaces, questions the role of machines, remote settlements, and linguistics. Mo Maria encourages the collaboration between fields such as Art and Architecture, Art and science, Art and new technologies …

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