58 Views
3
View In My Room
Photography, C-type on Fuji Crystal Archive Paper
Size: 16.9 W x 21.7 H x 0.1 D in
Ships in a Box
Shipping included
Trustpilot Score
58 Views
3
Artist featured in a collection
From a series of Polaroids begun in the late 1990s. The studio, a sailing ship from 1920 moored in London, England, also served as a venue for regular theatre and cabaret evenings. The little stage I built was part of the studio and I began to make photographs of performers, friends, actors and models. The Polaroid material used for these photographs is paper based, and known as peel-apart, available in 10x8", 5x4" and 3x4" formats until the early 2000s when it was discontinued. Not to be confused with the 'integral' Polaroid material now being manufactured by Polaroid Originals. The c-type prints available here in small editions are made using high resolution laser technology to expose photographic colour paper - Fuji Crystal Archive. Some are the exact same size as the original Polaroid and some are larger. All photographs are signed on the back and are shipped with a signed Provenance Paper which also bears the studio stamp. Please be sure to check whether you are purchasing an original Polaroid or a c-type print.
2005
C-type on Fuji Crystal Archive Paper
3
16.9 W x 21.7 H x 0.1 D in
Not Framed
No
Ships in a Box
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United Kingdom.
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United Kingdom
Matthew Houston was born in London in 1961 and grew up in Norfolk and Suffolk. An interest in photography began early in life, growing out of two childhood obsessions - chemistry and the natural world. He studied printmaking at Central School of Art, London and also earned an honours degree in photography from the London College of Printing. ' Photographs generally have an emphasis on the image formed by a lens. That's mostly where the subject is to be found. I discovered, during my student days and beyond, that I was increasingly drawn to the materials that were forming the picture. The materials and the processes involved.' While running a Cabaret on a sailing ship moored in the London docks he began making portraits using the small stage. First with friends and then actors, models and dancers. Many were made with large format cameras using sheet film and Polaroid. ' I set out with no preconceived ideas. I was interested to see what would happen. It was the stage itself that prompted the inclusion of a person. Sometimes I've used references to mythological figures as a starting point. I think that was also suggested by the stage, the platform, the pedestal to be stood on. And it was a way to hint at something of the ancient and mythological. I noticed it doesn't have to be pushed as a simple pose or some small detail can open a door to so much. Well I find that anyway. And then using Polaroid film gave the material a chance to be part of the picture as well. Polaroid is known for all kinds of quirks and accidents that are a reminder of process. As with other photographs I've made I feel it important that material and process are still included, still evident.”
Artist featured by Saatchi Art in a collection
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