673 Views
1
View In My Room
Lynn Kenneth Pecknold
Photography, Digital on Other
Size: 37.5 W x 37.5 H x 0.1 D in
673 Views
1
Artist featured in a collection
Sixteen Friends emerged from a series of prints based on photographs of the aluminum press plates which are still used by newspapers and printers. These plates are used to print the pages of newspapers and magazines and the like. Frequently, after they are used they are sold to the public for use as waterproofing the tops of pilings used in installing piles for wharves and docks. I am intrigued by the fact that they are often hammered or stapled onto the piling with the previously used ink-side down. I am fascinated to know what story or stories and photographs lie hidden on the flip side? Often as I process this series, I am thrilled to see subliminal (hidden) imagery emerge.
Digital on Other
One-of-a-kind Artwork
37.5 W x 37.5 H x 0.1 D in
Not Framed
No
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Lynn Kenneth Pecknold is an art educator by trade, but a storyteller by profession. It is his visuals, rather than verses, that rouse and run off the page. Influenced by the evolving tessellations of M.C. Escher, Pecknold creates mystifying and mesmerizing symmetries both painterly and puzzling. His most recent work deals in digital realms. Using software he designed, Pecknold applies the principles of reflection and replication to drawings, paintings and photographs.Born in Victoria, British Columbia, Pecknold took an early interest in art; whether it be fashioning his own whistles out of found objects or relishing his first taste of First Nations artists' bold designs on a field trip to a local museum. It wasn't until his undergraduate years at the University of British Columbia in the early sixties that he discovered his own artistic language. He enrolled with aims of becoming an architect, but found himself in art history and printmaking classes, which lead him to a change of major. After graduating with a degree in art education, he went on to show at the Mary Frazee Gallery and Avelles Gallery in Vancouver; and the Mauntauk Club and Eg Gallery in New York, where he also attended the Pratt Institute. In 1969, he became a full-time art educator and since then has acquired over 35 years of teaching experience.
Artist featured by Saatchi Art in a collection
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