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Sunny Flowers 55 - Limited Edition 7 of 9 Photograph

Paolo Aldi

Italy

Photography, Photogram on Paper

Size: 15.1 W x 19.7 H x 0 D in

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About The Artwork

“Sunny Flowers” is a 4 hands work by Lia and Paolo, the visionary tale of the meeting of a flower with sunbeams, water, and heat; it is the synthesis of the natural evolution and its transformations that exalt themselves in photography. Sunny flowers are reflections on the photographic medium and its technical history. They use the ultraviolet techniques characteristic of the nineteenth century, the film of the twentieth century and the use of digital technology of the present century. Sunny Flowers è un lavoro a quattro mani di Lia e Paolo, è il racconto visionario dell’incontro del fiore con i raggi del sole, l’acqua e il calore; la sintesi dell’evoluzione naturale e delle sue trasformazioni che si sublimano in fotografia. Sunny Flowers sono riflessioni sul medium fotografico e la sua storia tecnica. Utilizzano tecniche all’ultravioletto caratteristiche dell’ottocento, la pellicola del novecento e l’uso dell’informatica del secolo attuale.

Details & Dimensions

Photography:Photogram on Paper

Artist Produced Limited Edition of:1

Size:15.1 W x 19.7 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mine is a continuous search for synthesis between form and content, ethics and aesthetics. My works are emotional photographs, surreal, black and white, seemingly monochrome, or with strong colors, with a large presence of black and dark tones. In recent years they have increasingly incorporated a variety of materials since for me, materials such as paper, woods, beeswax, natural varnishes and whatever else is useful are very important, because they give physicality, depth and tactility to my photographs.  With the aesthetic and formal expression, in my works, is mixed a strong conceptual elaboration, because I know I do not tell an objective reality but rather show stories of people, concepts and worlds as I feel them through the filters of my experience, my culture and my feeling. In addition, each of my cycles of work is a visual transposition of themes that I have been passionate about and have studied for months or years. It is a way for me to put my knowledge on paper and my need to share it. No less important to me is the presence of a deep and constant research on the relationship between the photographer and the camera and the entire photographic process.

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