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Doina Domenica Cojocaru-Thanasiadis
United Kingdom
Photography, Color on Paper
Size: 63 W x 41.7 H x 0.1 D in
Ships in a Tube
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On 16 March 2022, the Donetsk Regional Drama Theatre in Mariupol, Ukraine, was bombed during the Russian invasion of Ukraine. Mariupol theatre was a civilian shelter for pregnant women and children. “CHILDREN” was spelled on the two sides of the theatre just before the bombing. On the 1st of April we learnt about Bucha massacre; mass killing, torture, mutilation (including beheadings) and rape of Ukrainian civilians by the Russian Armed Forces. 280 people were buried in mass graves. On 5 March 2022, a Russian rocket killed 50 people at the railway station in the eastern city of Kramatorsk, in the Donbas where refugees were trying to leave. Pieces of dead bodies, toys soaked in blood and a fragment of a Tochka-U missile where found on the ground. At least five children were killed in the blast. On the 24th of February Russia invaded Ukraine with a full-scale military attack. The disaster goes on as we speak. These are only a few of the atrocities that the Russian Army committed against civilians in Ukraine.
2022
Color on Paper
5
63 W x 41.7 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
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United Kingdom
Doina Cojocaru Thanasiadis is a PhD candidate in visual arts at the National University of Arts in Bucharest. Having as a starting point the Refugee Crisis in Europe (2015-), her Doctoral research investigates hegemonic principles that shape our understanding of the topic of displacement, borders, and identity, while exposing power structures that perpetuate inequality. Her work methods explore pathways in artistic research and practice that disrupt relations of dominance in the process of meaning-making. Her methodology opts for synergy, and interpretative multiplicity. She turns towards narrative inquiry and lived experience in order to trace their relation to cultural and social phenomena by combining theory and praxis. Main mediums of expression: Photography, Installations, Video
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