VIEW IN MY ROOM
United Kingdom
Photography, Digital on Paper
Size: 31.4 W x 11 H x 0 D in
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Artist featured in a collection
The Dream of the Wood is a seasonal narrative of a deciduous woodland floor in South-east England which has taken me over a year to complete. The title of this photograph is a play on words from the title of an Old English poem called The Dream of the Rood (‘rood’ being an old word for crucifix.) In this poem, we hear the story of the tree that was used to create Christ’s crucifix, from the tree’s own perspective: “It happened long ago—I remember it still— I was hewn down at the holt’s end stirred from my stock. Strong foes seized me there, worked in me an awful spectacle, ordered me to heave up their criminals.” The poem is valued as a window into early Christianity in England and many believe that the poem’s intention was to appeal to the animist beliefs of Britain’s inhabitants at the time, by using both Christian and pagan themes. Each species was scanned separately and ‘stitched’ together post-production, to make it feel as though the viewer of the piece is walking through a woodland as the seasons are changing.
Photography:Digital on Paper
Artist Produced Limited Edition of:3
Size:31.4 W x 11 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am a London based botanical photo-artist born in Kent, ‘The Garden of England’ in 1989. I have been awarded a gold medal from the Royal Horticultural Society for my botanical photography, the most prestigious award for botanical art in the United Kingdom. To create my photographs, I employ an improvised technique of ‘camera-less’ photography, using the flatbed scanner as a lens. Using a camera-less technique echoes the traditional methods used for the very first botanical photographs taken in the early part of the 19th century, such as the cyanotype photogram. I have always been passionate about conservation and the natural environment, and the botanical world never ceases to amaze me. I donate £25 of each limited edition print sale to charities Plant Life and Butterfly Conservation UK. Both charities work to protect wildlife and the environments which they thrive in. I also take commissions, depending on the availability of the flora requested.
Artist featured by Saatchi Art in a collection
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