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'The Garden Gate' Photograph

Neil Wood

France

Photography, C-type on Paper

Size: 44.1 W x 65 H x 0.2 D in

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About The Artwork

MYTHOLOGY is a body of work first exhibited in Paris in 2004 which comprises nine large-scale photographic prints of iconic objects. Using a scanner, Neil Wood has taken very high-definition photographic slice out of an 'objet trouvé' and invented a mythological potential for each work. 'How are myths created?' Considering Roland Barthe’s seminal work ‘Mythologies’ where he describes the mechanics of myths as being shaped in the mind and in society by the written word, Wood has attempted to address these questions, with or without the care to infringe on the Barthe doctrine. Functional titles such as ’BLADES’ or ’TREE SNAKE’ are simply descriptive whereas the more compelling ‘GOD MANHATTAN’ or ‘GARDEN GATE’ have a post-rationalised feel to them which arguably, only add weight to Barthe’s idea that his own ‘Poulet-frites’ or ‘Citroën DS’ were accepted as popular myths because they had already been eulogised through language and the recounting of their stories through the popular media. The play and ambition of MYTHOLOGY seeks to examine our understanding of the mechanics of symbolism with the implied questions; what is a symbol? What object has cult status and why? To what extent does language construct form?

Details & Dimensions

Photography:C-type on Paper

Original:One-of-a-kind Artwork

Size:44.1 W x 65 H x 0.2 D in

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Neil Wood is a British artist, curator and graphic designer. Since the early nineteen eighties he has lived and worked in London, Paris and Brussels. His practise is divers and includes photography, customised print-making, poetry, typography, sculpture, sound installation and more recently, performance. He generates his art through experimentation, writing, selective appropriation and chance actions: he exploits chosen materials and objects and combines them with carefully identified narrative themes and semantic game-playing. His work freely spans the representational to the abstract, often challenging perceptions and arriving at unexpected results through extreme changes of scale or focus. He frequently incorporates language triggers to alter meanings and provokes the irrational and has played recorded voices as audio performances alongside his typographic works. He recently inaugurated a 50 metre mural work entitled 'Et Toi là, Attrape Ton Étoile' for the Paris Metro at the Charles de Gaulle Étoile hub in Paris. www.neilwoodart.com www.vimeo.com/neilwood

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