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The Joseph Beuys studio/classroom at the Düsseldorf Academy of Art Photograph

Robert Duchesnay

Canada

Photography, Black & White on Paper

Size: 22 W x 22 H x 0 D in

This artwork is not for sale.
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About The Artwork

The story behind this unique series of photographs: In 1984 I received permission to visit and photo document the Joseph Beuys studio/classroom at the Academy of Art in Düsseldorf, the original intention of my visit was to do an informal portrait session with Joseph Beuys. On my arrival at the Academy I was told that he was seriously ill and would not be available for the informal portrait session. After my initial disappointment my reaction was then to document, step by step, every part of this small classroom studio and seek to create a unique photo document of this creative space. On my return to Canada from Germany I filed away the photo negatives in my archives for over 25 years. And now, finally, I can make these photographs available to collectors and art lovers. The personal charisma of Joseph Beuys attracted a large number of students, admirers and critics and this studio/classroom and others became the site of transformation of a whole generation of outstanding artists such as Sigmar Polke, Blinky Palermo, Jorg Immendorf and Anselm Kiefer to name a few. The Düsseldorf Academy of Art remains the place where Beuys reflected and planned his numerous controversial performances (actions) and the space where many pedagogical and political interventions originated from. Beuys occupied and used a variety of studio-classrooms at the Academy of Art but this ‘photo series’ concentrates on the last office/studio/classroom used by him from1978 to 1986. ‘To be a teacher is my greatest work of art’ -Joseph Beuys, 1969

Details & Dimensions

Photography:Black & White on Paper

Original:One-of-a-kind Artwork

Size:22 W x 22 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Robert Duchesnay is a multimedia artist educated in Montreal and London, England. He is mostly known for his documentary artwork concentrating on Buckminster Fuller’s architectural legacy and was instrumental in saving two outstanding Fuller structures: the Montreal Expo 67 geodesic dome and the Dymaxion Dwelling Machine (circa 1946) in Wichita, Kansas. Robert, is also known for his unique and compelling photo documentation, done in 1984, of the Joseph Beuys classroom/studio at the Kunstakademie Düsseldorf. In addition to these documentary art works he also produced and exhibited a series of photographs in the 1990’s titled: Rituals of the Anti-Social referencing a theatre of the absurd, a humorous and often cynical look at society and it’s failed attempts at meaningful communication. In 2013, the artist exhibits a photo series titled The Vienna Cult 48. Two years in the making, this series of images is closely based on the film noir classic ‘The Third Man’, it is nothing less than the reimagination and the reenactement of this iconic film noir, photographed on location in Vienna and at selected locations in Montreal that emulated as closely as possible the scenes of war time devastation. Currently Duchesnay is working on a documentary project dedicated to the rediscovery in 1990–92, of Buckminster Fuller’s first landmark building prototype: the Dymaxion Dwelling Machine. Robert Duchesnay is the recipient of project and travel grants from the Canada Council for the Arts. His artwork has been exhibited in the United States, Canada and Europe and his photographs can be found both in private and public (museum) collections in North America and Europe. His photographs have also been published in a variety of cultural and academic essays.

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