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The Magic of the Old Car Photograph - Limited Edition of 20

Diego Cerezer

Brazil

Photography, Digital on Canvas

Size: 35.4 W x 35.4 H x 0.1 D in

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$810USD

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About The Artwork

- FINE ART PRINTINGS - Canvas: Canson Museum Pro Canvas 385 gsm 100% cotton - Printed: HP Z9+ DreamColor mineral pigment - Made in Brazil Antique car is culture, the classic car is not an ordinary car, it is something special. Special not only for its owner; wherever he goes he is soon noticed. Parked side by side, it erases the modern. Whoever leads it goes back to the good old days. Maybe the classics give us the little taste of poetry that the world forgot to give to life. And few privileged people have the pleasure of driving. The Antique Car demands attention, discipline, love and affection; the older he is, the more he needs your attention, your discipline, your love and affection, and reciprocation comes naturally. * Prints on paper: contact directly by email. (Premium Paper Hahnemuhle RAG 308 100% cotton)

Details & Dimensions

Photography:Digital on Canvas

Artist Produced Limited Edition of:20

Size:35.4 W x 35.4 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Photography and conceptual art form a complex pair. If some photographers claim that photography played a mere documentary role, others, on the contrary, point to the use of specific resources, by some artists, which allow the technical image, its visual possibilities and its social meanings to be problematized. I believe that the characterization of photography used by us conceptual artists is, however, accompanied by other considerations that allow us to problematize a relationship that is apparently easy to determine. Thanks to a set of factors, including lightness and fragile material consistency, the decline of the object in favor of attitudes and processes. Faced with the challenge of using matter “in a paradoxical way”, of inventing an art based on the greatest possible economy of means, the conceptual artist uses technical image in accordance with Sol LeWitt's proposition that it is possible to present ideas “through of numbers, photographs or words, or any way the artist chooses, since the form is not important. For me, a photograph needs to have a soul, a voice and overflow with feeling. This is the basis of my photography.

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