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The Snail Lady Photograph - Limited Edition of 14

Studio Clavicule Pics Cédric Brion

Belgium

Photography, Color on Paper

Size: 60 W x 90 H x 0.2 D in

Ships in a Tube

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$1,043

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About The Artwork

Edition Limitée de 14 Exemplaires + 1 Epreuve Artiste Limited Edition of 14 Copies + 1 Artist Proof Cette photographie d'art de 2023 par Cédric Brion est une édition limitée de 14 exemplaires plus 1 épreuve d'artiste, manifestant l'exclusivité de cette œuvre. Réalisée sur un papier Fine Art Mat Museum Heritage de 310 grammes, elle possède une bordure blanche de 1 cm, parfaite pour un encadrement sous passe-partout. Cette œuvre de 90 par 60 cm est livrée enroulée dans un tube, offrant une protection optimale pour une œuvre non encadrée. This 2023 art photograph by Cédric Brion is a limited edition of 14 copies plus 1 artist's proof, demonstrating the exclusivity of this work. Made on 310 grams Fine Art Mat Museum Heritage paper, it has a 1 cm white border, perfect for framing under a mat. This 90 by 60 cm work is delivered rolled up in a tube, offering optimal protection for an unframed work.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:14

Size:60 W x 90 H x 0.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Biography. My name is Cédric Brion. I was born in 1978 in Belgium, in the suburbs of Mons, where I currently live. As I have always been interested in the plastic arts, I started to develop my taste for photography at the age of 18. My first tool was a silver camera, which I developed in the darkness of my room. After several years of research and experience, I was able to approach the world of professional photography, thanks to various competitions and work done for the business world... Motivation and vision. My fascination with creating portraits in a dark, even noir, atmosphere comes from my early child-hood, because since I was a child I have always been fascinated by fantastic and dark worlds, I try to create portraits that transport the viewer into another universe. I like to see my portraits as windows to imaginary worlds. From the darkness of the soul, a clarity can emerge that overwhelms me. Light that is too bright often dazzles, darkness magnifies it. I like to capture these contrasts in my portraits, and ancient civilizations have always been one of my sources of inspiration. I want my portraits to appeal to people, so that they can see themselves in them and recognize themselves

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