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Yaroslava #1 [Limited Edition of 25] Cherry Works Series Photograph
Photography, Digital on Photo Print
Size: 19.7 W x 19.7 H x 0.1 D in
Ships in a Tube
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Artist featured in a collection
About The Artwork
Available formats: 50 x 50 cm [approximately 20 x 20 inches] 100 x 100 cm [approximately 40 x 40 inches] 200 x 200 cm [approximately 80 x 80 inches] Also available as a print behind acrylic glass with frame. Please contact curator@saatchiart.com if you are interested. _________________________________ In the depiction of an elderly woman's mouth tenderly cradling two cherries, a complex narrative of beauty, age, and desire unfolds. The image's suggestive harmony, reminiscent of Baroque sensibilities, explores the transformative potency of portraiture. The cherries, traditional emblems of youth and sensuality, stand in contrast to the lines of age on the woman's face, casting light on the enduring allure and femininity that defy the ravages of time. Drawing inspiration from the meticulous attention to detail inherent in the works of the Old Masters, this portrait initiates a dialogue on the intersections of age, beauty, and the continuous dance of attraction and repulsion.
Original Created:2017
Subjects:Women
Details & Dimensions
Photography:Digital on Photo Print
Artist Produced Limited Edition of:25
Size:19.7 W x 19.7 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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The focus of ARTURUTRA is mouths. Yet these fragmented bodies do not conform to classical portraits. They often resemble staged still lifes. The works are characterized by a narrative ambiguity. The viewer sees and must fill in the missing elements themselves. Perhaps they view with the eyes constantly absent in the works. Then, the depicted mouths speak with the inner voice of the observer.
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