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"untitled - np002" Photograph - Limited Edition of 1

Thomas W Kuppler

United Kingdom

Photography, C-type on Paper

Size: 15.7 W x 23.6 H x 0 D in

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322 Views
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About The Artwork

edition of 5 + 1AP I was working on two series of images. One dilemma occurring for me was the decision to choose between a dialectical approach - the fusion of painting and photography, yet not really being the one nor the other, and an abstracted execution searching for the infinite depth within the artwork, the "thing", which cannot be described in words, and therefore only be visualised. This is the dialectical series, before advancing to the "abstract" series of "amalgam". The dialectical game between figurative and abstraction through obstructive compositions creating therefore something unknown, intends to make forget ones gaze and see and feel the image instead – it is revealing at the same time: an intentional process to trigger an expanded cognitive process.

Details & Dimensions

Photography:C-type on Paper

Artist Produced Limited Edition of:1

Size:15.7 W x 23.6 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

What do you really see? I am interested in the notion of using methodological experimentation within an image in order to abstract and play with the visible and invisible through obstruction. A combination of thinking off and thinking in itself. A combination of experience and feeling. A combination of questioning and contingency. Predominantly German and French philosophers views on “seeing” and perception are consciously and subconsciously absorbed to later emerge and to be translated into visual language. The need to deconstruct the representational character of the photograph and to expand its conventional limits respectively has been triggered by the re-occurring obstruction in mind and image and constant questioning of the media through the very process of experimentation and exploration. Ambiguity is leading to abstraction, using mixed media and perceptional puzzlement, but also engagement with the viewer and seer. [the artist] gives something for the eye to feed on, but he invites the person to whom this picture is presented to lay down his gaze there as one lays down one's weapons. (Lacan)

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