VIEW IN MY ROOM
United States
Printmaking, Linocuts on Paper
Size: 20 W x 20 H x 0.1 D in
Ships in a Tube
Two years ago, I took a photo of an outcropping while hiking at Iceberg Point, Lopez Island in Washington. There are some wonderful geological formations to be found on that southern point. I’m fascinated by the rippling and layers of the rocks. The force of glaciers over thousands of years has twisted and turned the rock resulting in this wonderful texture. I adjusted my photo and extracted 4 layers: shadows (the paper is the darkest part), two medium layers and a bright layer that catches the highlights. The two medium toned layers are a two layer reduction, the highlights are a separate block offset a bit from the bottom layers, but still aligned with the photo. This one was a real labor of love. The carving time was pretty insane and really pushed my abilities.
Printmaking:Linocuts on Paper
Artist Produced Limited Edition of:25
Size:20 W x 20 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
My art practice is formed around the collaborative dance between humanity and the natural world we so briefly inhabit. I find inspiration in the patterns and markings of time found in shell ridges, tree rings, and sedimentary layers below our feet, each depicting a unique and never-replicable story. My process allows for the natural world to leave its fingerprints next to my own: encouraging ink to run and dry as it pleases; allowing material to tear without controlling its path; capturing the shadow of netting moving in the breeze in a cyanotype. I often take a back seat to what emerges, responding with my own structure, arrangement, or interpretation. My work seeks to highlight the undeniable importance—and impact—of our human presence as a part of our collective story. Although my initial artistic focus was in printmaking, I have since grown to explore many other disciplines, seeking not to become an expert in any one, but to instead study and refine a breadth of techniques and processes to inform my work. I take pride in my experimentation, never letting rules or what’s traditionally expected to determine my process. I employ formal disciplines, including printmaking, painting, and drawing, alongside undefined experimentations with glue, ink, graphite, paper, and collage. My work combines my own abstractions with referential natural textures, sometimes affecting them with ripping, cutting, and collage, amplifying the story of each material and texture into a larger, collective story.
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