VIEW IN MY ROOM
United Kingdom
Printmaking, Digital on Paper
Size: 16.5 W x 11.7 H x 0.1 D in
Ships in a Tube
Shipping included
From a series of prints focusing taking through a multitude of physical & digital process then regurgitated back out of the machine. Generative drawings, 3D models, gestural pen strokes, wrestling paraphernalia, video game bugs & purgatory all used as inspiration. The final image is separated into CYMK then printed as a Riso Print.
Printmaking:Digital on Paper
Artist Produced Limited Edition of:25
Size:16.5 W x 11.7 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
James D. Hopkins (b.1994, Cardiff) is an artist living and working in London. He has exhibited in London, various locations around the UK as well as in Madrid, New York and Florida and in 2018 was an October resident at chaNorth Artist Residency, Upstate New York. James’ work focuses on the asymmetrical and absurd, exploring cultish iconography and performative combat. Consuming an abundance of prolific online media which is absorbed and regurgitated into a mesh of over-saturated grotesqueness; combining humour with a feeling of unrelenting dread. Paintings. Characters and installations which are aesthetically alarming, repetitive, nostalgic humorous and unsettling, grounded in the idea of Kayfabe; a professional wrestling term describing staged events portrayed as if they were real. He works with costume, painting, performance, video, sculpture and installation, often combining these media simultaneously. His alter-ego Deadboy the Kid is a member of DANKCollective, a London art collective who focus on the absurdity, humour and violence of post-irony culture.
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