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Corvus - 1/1 Print

Matthew Lintott

United Kingdom

Printmaking, Woodcut on Paper

Size: 21.7 W x 11.4 H x 0 D in

This artwork is not for sale.
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28 Views
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About The Artwork

I am currently studying the architecture of flight. Working most closely with the raven during this time. My reasons for choosing the raven were partly because of their darkness and liminal nature; they have one foot in either world. In Western Europe we believed they were the incarnation of damned souls or wicked priests - or the souls of people who didn’t have proper burials. I find that tasty. It’s a dark winged intelligent scavenger with a purple trick of light within its feathers. In Greece they are messengers for the gods and in Native American culture Raven is a deity, a trickster god no less. Although using printmaking techniques everything I make is an original one of one.

Details & Dimensions

Printmaking:Woodcut on Paper

Original:One-of-a-kind Artwork

Size:21.7 W x 11.4 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Matthew Lintott is a Bristol based artist and printmaker working between Bristol and London as an exhibiting artist. He began studying in 1994 at Dewsbury College of Arts. This was followed by graduating from Brunel with a fine art degree then working within the music industry for 15 years until 2016 when he returned to the practice of visual arts. A focus on printmaking culminated in an artist in residence position in London that spring. During this time he learnt and experimented with a variety of techniques and processes. His work with woodcut relief and paper preparation forms the basis of an experimental mixed media approach. Although using printmaking techniques everything I make is an original one of one. I print by hand using very lightweight handmade paper which allows me to play with the tonal variations that could not be achieved by the uniform pressure of a printing press. In this respect I produce a “series” of prints, rather than strict editions.

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