VIEW IN MY ROOM
United Kingdom
Printmaking, Aquatint on Cardboard
Size: 14.8 W x 11.5 H x 0.1 D in
Ships in a Tube
I was inspired by the dramatic coast, dunes and tide pools in Dorset on the south coast of England. There was tremendous movement with the wind on the grasses and the surface of the pools and the low sun between the clouds lit up the surface of the water. I hope viewers will be able to feel the movement and drama of the coast under a stormy sky. I used carborundum and drypoint to produce this piece because of the dramatic contrast, texture and velvety blacks that it produces.
Original Created:2016
Subjects:Landscape
Printmaking:Aquatint on Cardboard
Artist Produced Limited Edition of:1
Size:14.8 W x 11.5 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am a painter and printmaker particularly interested in surface and in working intuitively, led by the process. My printmaking is mainly experimental and I use collagraphs, Gyotaku, carborundum printing and other non-chemical processes to push the boundaries and to achieve painterly qualities in the work. My paintings are mainly semi-abstract landscapes in which I aim to capture a spirit of place, often focusing in closely and calling on drawings, colour studies, photographs and remembered images in preparation for the final work. When working on a painting I use layers of oil and cold wax medium to build up and then attempt to uncover the subtleties, nuances, light and texture of the place. I work intuitively; there is no plan but the paintings are led by the process and are constantly changing and evolving. Form and content influence each other as the work evolves and by adding layers and then scratching away at the surface, traces of earlier layers are revealed and so the process continues until the painting feels as though its intention has been realised.
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