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Eagle Creek - 2017 - Limited Edition of 15 Print

Hannah Theiss

United States

Printmaking, Etching on Paper

Size: 22 W x 16 H x 0.1 D in

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About The Artwork

The goal of this print was to combine data and emotion to capture the Eagle Creek Fire of 2017. ▫️ 4 color Lino reduction: Soil Burn Map. This map shows the intensity of the burn from minor to complete burn. Fires tend to follow ridges so this map does look a bit like a topo map but is not 1:1. . ▫️ Spark etching. The Eagle Creek Fire was started by humans. Fireworks tossed into a valley. . ▫️ Hand painted etching: this is a progression map. It shows the growth of the fire over ten days. Notice how quickly the fire grew in just the first few days. . ▫️Linocut: the most impactful image I saw was a view down the incredible gorge with a single, intense plume busting from behind one of the hilltops. It’s seared in my memory and I’ll never forget it. . I wanted to create a piece to mark a place in time that was both personally and regionally impactful. Climate change cannot be ignored. And we must be better stewards of nature especially in how to better manage our forests and let them take their more natural course as opposed to rare giant forest fires.

Details & Dimensions

Printmaking:Etching on Paper

Artist Produced Limited Edition of:15

Size:22 W x 16 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My art practice is formed around the collaborative dance between humanity and the natural world we so briefly inhabit. I find inspiration in the patterns and markings of time found in shell ridges, tree rings, and sedimentary layers below our feet, each depicting a unique and never-replicable story. My process allows for the natural world to leave its fingerprints next to my own: encouraging ink to run and dry as it pleases; allowing material to tear without controlling its path; capturing the shadow of netting moving in the breeze in a cyanotype. I often take a back seat to what emerges, responding with my own structure, arrangement, or interpretation. My work seeks to highlight the undeniable importance—and impact—of our human presence as a part of our collective story. Although my initial artistic focus was in printmaking, I have since grown to explore many other disciplines, seeking not to become an expert in any one, but to instead study and refine a breadth of techniques and processes to inform my work. I take pride in my experimentation, never letting rules or what’s traditionally expected to determine my process. I employ formal disciplines, including printmaking, painting, and drawing, alongside undefined experimentations with glue, ink, graphite, paper, and collage. My work combines my own abstractions with referential natural textures, sometimes affecting them with ripping, cutting, and collage, amplifying the story of each material and texture into a larger, collective story.

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