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Evening Orchids - Edition of 50 Print

Herman du Toit

United States

Printmaking, Black & White on Paper

Size: 11 W x 7.5 H x 1 D in

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$135

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About The Artwork

Original photogravure - this is NOT a mass-produced giclée print! "Evening Orchids" is hand inked and printed on Somerset Velvet 100% cotton paper by Herman du Toit in an open edition. Each print carries the artist's signature and studio chop mark. Each print comes with a numbered certificate of authenticity. You can attach this certificate at the back of the print once it is framed. This very fine study is a prime example of tenebrism (the emotive use of light an shadow) and exemplifies the rich, velvety black tones and the wide tonal range unique to photogravure. According to the J. Paul Getty Museum, photogravure is “the most beautiful, challenging, and labor-intensive of the traditional photographic processes; it is also among the earliest, dating back to the mid-1800s.” Collecting photogravure prints is an emerging category of investment in alternative photographic processes. Edward S. Curtis’s epic anthropological study “The North American Indian,” which he printed from 1907-1930, now command prices in the hundreds of thousands for individual prints. Contemporary prints can be had for far less —if you are lucky enough to find one! The print ships in a white archival mount 14 x 18 inches ready for framing in a black or white frame of your choice. Enjoy! Also available as a fine art print on photopaper, art paper, or as a canvas print, all 14 X 21 inches.

Details & Dimensions

Printmaking:Black & White on Paper

Artist Produced Limited Edition of:50

Size:11 W x 7.5 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The DU TOIT PHOTOGRAVURE studio is owned and operated by Herman du Toit who was born and raised in Johannesburg South Africa. He first studied printmaking under the British printmaker Michael Taylor at the former University of Natal in South Africa in the 1970s. He has had a long and extensive career in fine arts starting as a lecturer (associate professor) in printmaking and art history at the former Natal Technikon, where he became head of the printmaking department. Later he served as director (dean) of the School of Fine Arts at the Durban University of Technology. On immigrating to the United States in 1993, Du Toit curated exhibitions and served as head of education and research for an extended period at the Brigham Young University Museum of Art. He has also had over 20 years of printmaking and graphic art experience.

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