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Get Away - Limited Edition of 30 Print

Sara Dudman

United Kingdom

Printmaking, Etching on Paper

Size: 21 W x 15 H x 0.2 D in

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$260

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About The Artwork

This multi-layered print is one of a limited edition of 40 made by collaborating artists, Sara Dudman RWA and Debbie Locke RWA, editioned at Double Elephant Print Workshop in Exeter. It is made by combining a single etching plate with 2 screen printed layers and shows the movement of a flock of sheep across the Blackdown Hills in Somerset. The title 'Get Away' is the command given by the farmer to his sheepdog when he sends her off to the right in order to collect the sheep when they are in the distance. The sheep wear GPS packs and webcams which provide the primary resource for the work. Sara's gestural marks and lines are derived from the webcam footage and suggest the mass and movement of the sheep, whilst Debbie's drawing-machines generate the geometric lines, reinterpreted from the GPS data, mapping their precise movements. Print dimensions stated here are overall paper size, with white surround to print, not print plate size.

Details & Dimensions

Printmaking:Etching on Paper

Artist Produced Limited Edition of:30

Size:21 W x 15 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an artist with an affinity for wilderness, a concern for environment and a need for community. I exhibit extensively, lead collaborative, participatory and development projects and was elected an academician at the Royal West of England Academy of Art in 2016. A persistent curiosity about physical and conceptual relationships with the environment drives my work. Exploring the physical world is central to my practice, examining notions of ‘permanence and impermanence’ and ‘substance and essence’, including human and animal relationships with the environment. I absorb my subject through direct experiences and researched information, often using low-tech video footage as the source and starting point for reprocessing the subject through drawing and painting. From 2013-2016 I jointly undertook a collaborative project called Flock Together, working with fellow academician Debbie Locke RWA to research and create a body of works which interrogate and reinterpret sheep farming activity in the Blackdown Hills AONB in the South West of England. In contrast to the over-saturated, heightened, screen-based reality through which we increasingly experience our environment, my paintings and drawings reclaim the world as a personal encounter of depth and complexity. Painting for me is a necessarily ponderous activity. My gestures and marks speak of authorship and authenticity. My works present a re-enchantment with the world.

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