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Incubator (Externalities #27) Print

Maja Quille

United Kingdom

Printmaking, Cyanotype on Paper

Size: 12.6 W x 11.8 H x 0 D in

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About The Artwork

This ongoing series of cyanotypes sprung out of an interest in the everyday, the overlooked and the unseen. The underlying theme of the works is an inquiry into time and the dichotomy between the fleeting and the permanent. The works explore visual associations and the relationship between sunlight, hydrocarbons, plastics, time and bodies of water. The prints are all based on single-use plastics, exposed by the sun to leave behind a lasting imprint in shades of blue. It is a way of making the unseen visible. Every print is unique and the result of a particular moment in time: weather conditions, shadows, the time of day and the time of year it was made. The work is unique and signed by the artist, no copies exist or will be made. It is unframed, printed on cartridge paper.

Details & Dimensions

Printmaking:Cyanotype on Paper

Original:One-of-a-kind Artwork

Size:12.6 W x 11.8 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Originally from Copenhagen, Denmark, I am currently based in London. Continually moving between sculptural forms, printmaking and drawing, my practice explores ways of breaking, dissecting, uncovering and redefining objects and patterns. Driven by curiosity, I have a strong interest in the intersection between art and science, particularly looking at the edges, the places where discourse and disciplines overlap. Many of my projects are developed through collaborations and dialogues with other professions and institutions such as physicists from CERN, Geneva; chemists, engineers and mathematicians from University of Edinburgh, archaeologists from Museum of London Archaeology and Soil Scientists from Cranfield University. Recent works look at the legacy of enlightenment and industrialisation and how entrenched patterns of thinking shape social value systems. Utilising the inherent magic and poetry in the unseen systems that underpin our world, I explore the edge between chaos and order, looking for patterns of how things interrelate culturally, geologically, politically and geographically. My work examines the overlooked and undervalued; domesticity, the idea of waste or inferior materials and how materials and objects are shaped by their historical, cultural and political context.

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