VIEW IN MY ROOM
Germany
Printmaking, Giclée on Other
Size: 31.5 W x 17.7 H x 0.8 D in
The Catalan brand I was working for proposed me to plan one more time the same audio installation for its exhibition space at the Bread and Butter Eurovision 2006, the third time in Barcelona. The main audio equipment installed in Hall 8 at the Fira de Barcelona's Montjuc, was the same as the last sessions. The chill out area in our quadrant was twice compared to the last one and the style I experimented with 'Motard' was the same as the 2006 winter version. I emphasized the vibrations designed and I used again the wooden platform they had made as a mega subwoofer. However, there were no more slits planned, instead we built inside the huge platform several 'accellerators' that deflected the sub-waves generated from the two subwoofers directly against the teakwood floor. Way more cool vibes and less audio than the first time: again, people were absolutely astonished. Also the noise originated from this 'discreet version' was totally soft and sexy, that's why the strong and bigger structure assembled there grew into a high quality LFE - Low Frequency Effects - speaker. As far as the audio equipment is concerned I changed the central channel. I doubled: two instead of one, the minimalist and 'reversed' audio elements were directed on the counter where the drinks and the food was, so the brand gave its special guests in the VIP-area finger food and untouchable sound at the same time as always.
Printmaking:Giclée on Other
Original:One-of-a-kind Artwork
Size:31.5 W x 17.7 H x 0.8 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Germany
born: 1963 where: Milano, Italy places: Milano, Bozen, Genova, Berkeley CA, Firenze, Barcelona, Sydney, Berlin CY performs within the artistic and architectural context and frequently gets mixed up between the two of them. Over the years he has specialized in rendering and shaping acoustically architectural spaces. That is why he likes to create any kind of sound input that is able to spread heat: from anxiety to harmony, from tenderness to passion; always with the will and the intention to improve via sound people's perception of the plasticity of architectural spaces.
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