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Palestine : The Aral Sea of Liberty - Limited Edition print of 50 - Sold Print

Everitte Barbee

Lebanon

Printmaking, Giclée on Paper

Size: 16.9 W x 39.4 H x 0 D in

Ships in a Crate

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About The Artwork

This a limited edition print of 50. there are less than 8 pieces left in the edition. The map of Palestine is depicted showing the different borders as they have changed over time. The darkest area represents land which was given to Israel by the United Nations in 1948, the slightly less dark areas represent land captured by Israel in the war immediately following its creation. The lightest grey areas represent land which Israel has illegally settled since the war of 1967 when it invaded neighboring countries, Syria, Jordan and Egypt. The white areas represent land in which the remaining Palestinian Arab population is allowed work and live in. The text for this piece is Surah 85: Al-Buruj from the Quran, written in the Diwani Djali Script. Written exactly once, the text begins in the darkest area, reading from top to bottom. The Surah continues into the lighter text, and finally finishes in the lightest areas, which represent the post 1967 settled land. Every words in the Surah is written in order from start to finish exactly once.

Details & Dimensions

Printmaking:Giclée on Paper

Artist Produced Limited Edition of:1

Size:16.9 W x 39.4 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born 1988 in Nashville, Tennessee Currently working from my atelier in Beirut, Lebanon since 2011, I continue to pursue my education and understanding of Islamic Art and calligraphy. Working in the Diwani, Diwani Jali and square Kufic scripts, I use the words to create illustrations ranging from portraits to geometric abstract constructions. The work celebrates Middle Eastern and Islamic culture in addition to focusing on human rights in the post colonial era, with an emphasis on American and western foreign policy. With few calligraphers who use their words to illustrate rather than write, my greatest inspiration comes from Jila Peacock, and Hassan Musa. My aim is to eventually achieve the flawless legibility of Peacock's work while also grasping the visual accuracy with which Hassan Musa illegibly creates his animals and figures, using shapes and strokes inspired by calligraphy. As nearly all of the original work has been sold. I'm primarily selling limited edition facsimile giclee prints, on Saatchi, particularly only those in which at least half of the edition has already been sold.

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