801 Views
7
View In My Room
Printmaking, Lithograph on Paper
Size: 4.9 W x 6.1 H x 0.1 D in
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801 Views
7
Artist featured in a collection
Limited Edition Print When I look back on my childhood, I am reminded that my memory at that time was full of images of Nature; shapes of trees, sounds of water, the smell of grass, etc. They are not only visual images but also bodily sensation images, sound images, and so on. My old image still exists as my main interest. When I am in an open space in Nature alone, I always feel as if I become a part of it. I can feel the movement and sound of it as I see its visual imagery. I am very much interested in expressing the images which I feel in Nature. I am trying to transfer my bodily sensations into my brush movement and visual images into colour. Traces and motions act as a very important element in my work. They also reflect Japanese concepts such as ‘MA’ (the effective use of time and space intervals) and ‘GYOHKAN-W0-YOMU’ (reading between the lines). These concepts lie at the heart of my work. I would like to try to express what I see visually and what I feel physically through my work.
1992
Lithograph on Paper
25
4.9 W x 6.1 H x 0.1 D in
Not Framed
Not applicable
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Born in Tokyo, Hiroko Imada studied at the Tokyo Zokei University and later at the Slade School of Fine Art (University College London). Her degree show in 1992 caught the attention of The Times art critic David Cohen, who described her work as ‘heralding an impressive new talent’. In 1992, Imada was awarded the British Council Fellowship for her achievements at the Slade. She is now based in London. She has exhibited throughout Europe and Japan, and a number of her exhibitions have been featured at Japan-related events and in the official magazine of the Embassy of Japan. Her solo exhibition in 2013 at the Riverside Studios Gallery in London, for example, was part of the ‘Japan 400’ event which celebrated the 400th anniversary of Japanese-British relations. Her solo exhibition in 2015 was produced by the Children’s Art Centre Pessi, in Vantaa, Finland, and was broadcast by Yle TV News. Her print works have been featured in the prestigious Saatchi Art Online collection. In 2017, Imada created a giant paper wave interactive installation work at the Great Court of the British Museum as a part of 'Hokusai, beyond the Great Wave’ exhibition official event - Hokusai: Making Waves. In 2019, she was comissioned by Universal Pictures to create a painting for a specific scene and her painting appears in the film “Fast and Furious 9” which was premired in June 2021. In 2021, Imada created an iinstallation work at The Wave Coventry and an interactive installation work with pupils in Coventry at the Coventry Cathedral as a part of the event of Japan-UK Season of Culture, and the same year, she was commissioned by the British Museum to create a woodblock print inspired by Hokusai’s drawing and its process was recorded to create a film to run at the exhibition ‘Hokusai: The Great Picture Book of Everything’ from 30 September 2021 to 30 January 2022 at the British Museum. In 2022, she has created a Japanese woodblock print in colour inspired by one of the piece from the Royal Collection and its process was filmed and presented at 'Japan: Courts and Culture' exhibition from 8 April 2022 to 26 February 2023 at the Miller Learning Room, The Queen's Gallery, Buckingham Palace. The film was also used for the multimedia guide at the exhibition. In 2022, to mark the launch of Dr. Marten’s collaboration with The Met, Dr. Martens X The MET (Katsushika Hokusai), Dr. Martens asked Imada to create a “Dr.
Artist featured by Saatchi Art in a collection
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