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The Ship Print - Limited Edition of 1

Martyn Thompson

United Kingdom

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21 x 14 in ($184)

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About The Artwork

As the news reports became more somber, and the day turned to night, reality began to hit home. With the flares falling from the sky casting a yellow tinge on the huge mountain collapsing in to the sea, this piece sums up the despair and a general acceptance that there was little hope of finding further life. The Chinese character for ‘tragedy’ is ‘悲劇’ (비극) and this has been used to exemplify the overall state of the calamity and the massive impact that this had on Korean society. This is the second of two pieces on display where the hanji was stretched over panels before being worked on with the dojang. The dark blue background makes the picture a little indecipherable, as was the story at the time. 밤이 되며, 전해지는 뉴스 역시 점차 어두워졌으며 비극은 현실이 되었다. 하늘에 불꽃이 올라가며 바다로 사라져가는 거대한 배를 노랗게 물들였다. 이 작품은 절망과 옅어지는 구조의 희망을 압축하고 있다. 한자 '비극'은 한국 사회의 거대한 충격과 비극적 상황을 의미하고 있다. 이 작품은 날인 전 한지로 판넬을 덮고 작업했던 총 두 개의 작품 중 두번 째 것이다. 배경에 깔린 짙은 남색은 사건 당시의 상황처럼, 그림을 명료하게 익식할 수 없게 한다. This image is hand printed with a dojang (Korean stamp) on hanji (Korean paper) using inju (Korean printing ink). It is mounted on two wooden panels to be hung side by side.

Details & Dimensions

Print:Giclee on Canvas

Size:21 W x 14 H x 1.25 D in

Size with Frame:22.75 W x 15.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Martyn Thompson is an artist and photographer from the U.K. who established himself as an artist in Korea. After graduating from Northampton University, UK in 2007, with a degree in fine art, winning an award for his final show exhibition piece 'Moulding Myself' he moved straight to Korea. Upon graduating, Martyn pursued his personal studies of Korean video artist Baik Nam June. Producing art and finding exhibiting opportunities in a foreign country was difficult, because at the time there was little activity amongst fellow expatriate artists. A lot of perseverance was required, and after partaking in a few group exhibitions with the International Art Community, Martyn held his first white wall solo exhibition in 2011 at Gallery I in Insadong, Seoul. Despite some minor language communication problems, Martyn has continued working with the Gallery I owner, and forged a strong relationship to create more opportunities for foreign artists living in Korea. He is now considered a very reliable asset and communicative body by several galleries and foreign artists living in Korea. Martyn has exhibited extensively across the country since 2009, putting on four solo exhibitions, partaking in around twenty-five group exhibitions, and having just completed his fifth solo exhibition April 2015. In 2012, Martyn curated two exhibitions in Seoul and co-curated a further two in other cities across the peninsula as well as establishing the Professional Artist's Network Korea. PANK has now grown to include over eighty artists from fifteen different countries in just over two years, and is run by Martyn with a team of six dedicated volunteers. Martyn has curated a further seven group exhibitions, and helped a further five artists to hold solo exhibitions while continuously developing the PANK website and providing a vital resource for English speaking artists living in Korea. Martyn moved back to the U.K. in the summer of 2016 with his family and has recently begun working on a new series of images in a new style.

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