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Three Quarters Full - Limited Edition of 4 Print

Chris Francis

United Kingdom

Printmaking, Stencil on Paper

Size: 8 W x 10 H x 0.1 D in

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$185

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About The Artwork

Although there are similarities most of these works are individual pieces. The original concept began with the chance find of soft drink cans flattened by traffic. These were photocopied or scanned to observe the potential two-dimensional shapes for print- making. This stimulated a number of treatments – some motivated by popular brands while others resulted from the erstwhile contents. In addition to the ‘road kill’ cans, others were deliberately flattened to discover possible shapes. From both the found cans and those deliberately squashed, various abstract shapes prompted titles for the works. Experimentation of this kind emanated from art college of the 60s but there is a combination of traditional print-making techniques (such as etching) but also the use of stencils and aerosol sprays, cut-out plastic, self adhesive labels and children’s stickers. There is also a treated scan, made originally for positioning, which is included as a work in itself. Another break from tradition is the use of the mounts – deliberately cropping the works – rather than being just a conventional surround.

Details & Dimensions

Printmaking:Stencil on Paper

Artist Produced Limited Edition of:4

Size:8 W x 10 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Chris Francis was born and bred in Birmingham and moved to South East London in 1976 - hence his fascination with the local industrial and built-environment as well as its maritime connections. Art Education in the ‘60s radically changed encouraging more experimentation and exploration which still manifests itself today in his work hence the diversity of various subjects in varied media shown here. Thus there are paintings and drawings of buildings (including two from student days), marine subjects and vehicles, where, paying homage to Degas axiom “Art is not what you see but what you make others see”. Hence It may be the texture and colour of erosion, pollution and weathering of masonry and brickwork of railways, townscapes and cityscapes. Otherwise, showing the effects of tide, rain, wind and sun on derelict quays, moorings, harbours and vessels especially those in a state of neglect, allowed to crumble but enhanced with vibrant marine growth and rust. In addition, there are examples of experimental printmaking and assemblages utilising the potential of patterns, shapes and textures of wood or baulks of timber and the possibilities of discarded litter and plastic, even children’s’ toys or household utensils. Although he followed a career in Industry, he simultaneously painted part-time including adult education classes at Sir John Cass College and adult education institutes in his hometown of Birmingham and the London Boroughs of Tower Hamlets, Greenwich, Lewisham and Bexley. Residential courses including Slade Summer School He has exhibited in London (including the renowned Mall Galleries) throughout the South East, St Ives and Lausanne and simultaneously has works on show at the Blackheath Conservatoire and Stables Gallery in Bexleyheath. Other works can be seen on his website www.arteclectic.gallery. Contact Details: Mobile – 07305615914 e-mail – franciscomms@aol.com And still looking for rich widow with winebar.

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