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"Monochrome" comes from the ancient greek word "monochromos", literally meaning ‚having one colour‘. The monochrome often serves purposes. On one hand to communicate spiritual purity; by choosing one colour, one could explore the tranquility of total abstraction. The other purpose was to reduce the work of art to its simplest form so that the focus of the piece would be on its pure physical elements; colour, form, texture. "Vadon" is the hungarian equivalent for wilderness. Accordingly an area is been called as wilderness, if it is assigned as a counter-world to any cultural principle of order. The evaluation can be both positive and negative: as "untamed, untidy" nature in contrast to the cultivated nature, or as "unspoiled, innocent" nature. It is this innocent wilderness the biblical motif of Garden Eden, the mythological place of the Genesis, the origin of all forms. The untouched forest still as a metaphor and longing landscape, as a counterpart to urban cityscapes, nowadays retains its mythical face. This triptych "Vadon" plays with two sides of these "morphogenesis’"; on one hand the perceptual image which only emerges as an optical mirroring of the texture and forms on the viewers retina; and on the other hand the monochrome motif itself: the "wilderness" as the spiritual place of morphogenesis.
"Monochrome" comes from the ancient greek word "monochromos", literally meaning ‚having one colour‘. The monochrome often serves purposes. On one hand to communicate spiritual purity; by choosing one colour, one could explore the tranquility of total abstraction. The other purpose was to reduce the work of art to its simplest form so that the focus of the piece would be on its pure physical elements; colour, form, texture. "Vadon" is the hungarian equivalent for wilderness. Accordingly an area is been called as wilderness, if it is assigned as a counter-world to any cultural principle of order. The evaluation can be both positive and negative: as "untamed, untidy" nature in contrast to the cultivated nature, or as "unspoiled, innocent" nature. It is this innocent wilderness the biblical motif of Garden Eden, the mythological place of the Genesis, the origin of all forms. The untouched forest still as a metaphor and longing landscape, as a counterpart to urban cityscapes, nowadays retains its mythical face. This triptych "Vadon" plays with two sides of these "morphogenesis’"; on one hand the perceptual image which only emerges as an optical mirroring of the texture and forms on the viewers retina; and on the other hand the monochrome motif itself: the "wilderness" as the spiritual place of morphogenesis.
"Monochrome" comes from the ancient greek word "monochromos", literally meaning ‚having one colour‘. The monochrome often serves purposes. On one hand to communicate spiritual purity; by choosing one colour, one could explore the tranquility of total abstraction. The other purpose was to reduce the work of art to its simplest form so that the focus of the piece would be on its pure physical elements; colour, form, texture. "Vadon" is the hungarian equivalent for wilderness. Accordingly an area is been called as wilderness, if it is assigned as a counter-world to any cultural principle of order. The evaluation can be both positive and negative: as "untamed, untidy" nature in contrast to the cultivated nature, or as "unspoiled, innocent" nature. It is this innocent wilderness the biblical motif of Garden Eden, the mythological place of the Genesis, the origin of all forms. The untouched forest still as a metaphor and longing landscape, as a counterpart to urban cityscapes, nowadays retains its mythical face. This triptych "Vadon" plays with two sides of these "morphogenesis’"; on one hand the perceptual image which only emerges as an optical mirroring of the texture and forms on the viewers retina; and on the other hand the monochrome motif itself: the "wilderness" as the spiritual place of morphogenesis.
"Monochrome" comes from the ancient greek word "monochromos", literally meaning ‚having one colour‘. The monochrome often serves purposes. On one hand to communicate spiritual purity; by choosing one colour, one could explore the tranquility of total abstraction. The other purpose was to reduce the work of art to its simplest form so that the focus of the piece would be on its pure physical elements; colour, form, texture. "Vadon" is the hungarian equivalent for wilderness. Accordingly an area is been called as wilderness, if it is assigned as a counter-world to any cultural principle of order. The evaluation can be both positive and negative: as "untamed, untidy" nature in contrast to the cultivated nature, or as "unspoiled, innocent" nature. It is this innocent wilderness the biblical motif of Garden Eden, the mythological place of the Genesis, the origin of all forms. The untouched forest still as a metaphor and longing landscape, as a counterpart to urban cityscapes, nowadays retains its mythical face. This triptych "Vadon" plays with two sides of these "morphogenesis’"; on one hand the perceptual image which only emerges as an optical mirroring of the texture and forms on the viewers retina; and on the other hand the monochrome motif itself: the "wilderness" as the spiritual place of morphogenesis.
Vadon 1-3 Rubine Red (Triptych)

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VADON 1 (4/6) Rubine Red - Limited Edition of 6 Print

Stefan Osnowski

Portugal

Printmaking, Woodcut on Paper

Size: 35.8 W x 53.1 H x 0.1 D in

Ships in a Tube

$2,120

Shipping included

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"Monochrome" comes from the ancient greek word "monochromos", literally meaning ‚having one colour‘. The monochrome often serves purposes. On one hand to communicate spiritual purity; by choosing one colour, one could explore the tranquility of total abstraction. The other purpose was to reduce the ...

Year Created:

2019

Subject:

Nature

Styles:

Abstract

, 

Figurative

, 

Fine Art

, 

Minimalism

, 

Modern

 

Mediums:

Woodcut

, 

Oil

, 

Ink

, 

Paper

 

Medium:

Print, Woodcut on Paper

Rarity:

Limited Edition of 6

Size:

35.8 W x 53.1 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Portugal.

Need more information?

Contact us.

Need more information?

Contact us.

Stefan Osnowski is a German visual artist using one of the oldest reproduction processes to create an extremely filigree, digitally appearing, ultra-modern aesthetic. He exclusively uses the centuries-old technique of woodblock printing. Osnowski is investigating digital codes to transform it into analog ones to represent phenomenas such as time, movement and spaces in a two dimensional image frame. The transformation of the original image into an abstract binary bar code - 1 or 0 – carved into the wooden panel and printed by hand; gathering a theme or selecting a medium is just as much a part of the concept as physical contact and hand-crafting. He is living and working in Lisbon (Portugal).

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