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Конструктиктонъ 002(Constructicton 002.). Sculpture

Alexey Nickolay

Russia

Sculpture, Steel on Steel

Size: 11.8 W x 23 H x 7 D in

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About The Artwork

Constructivism is generally considered a Russian (more precisely, Soviet) phenomenon that emerged after the October Revolution as one of the trends of new, avant-garde, proletarian art, although, like any phenomenon in art, it cannot be limited to one country. So, the forerunner of this style in architecture was still the Eiffel Tower, which combines elements of both Art Nouveau and bare constructivism As Vladimir Mayakovsky wrote in his essay on French painting: "For the first time, a new word of art — constructivism-arrived not from France, but from Russia…» In the context of the incessant search for new forms, which meant the oblivion of all "old", innovators proclaimed the rejection of"art for art's sake". From now on, art was to serve production, and production was to serve the people.The sculpture is made of steel, bronze, wood and covered with gold leaf in 2021.

Details & Dimensions

Sculpture:Steel on Steel

Original:One-of-a-kind Artwork

Size:11.8 W x 23 H x 7 D in

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I was born in Moscow on 28 May 1974,began study paiting in 1981,graduated art school in Moscow 1991,studied in private art Studio 1991-1993.I began to paint as much as I can remember from 4 years of age ,since the late 80's I have been the author of more than 500 paintings,200 collages,100 sculptures and many drawings.Throughout his career ,the artist tried to draw everything that came to hand: emulsion paints, technical oil paints ,a variety of varnishes,acrylic paints ,gouache,watercolor,paint on metal,painted with tinting pastes mixed with water,crushed bricks, bitumen and of course the classic oil paints.I tried to experiment in all the styles of painting from realism to avant-garde.Experimenting, with different styles ,came to the conclusion that most gravitate to surrealism,and Russian Avant-garde of the early 20th years,very much in the mood to make collages,a bit still do sculpture.

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